How to Become a Better Writer

Because I knew everything when I was 13. Possibly 12 or 14. Carbon dating is not currently in my skill set, so we’re going by the tiny circles dotting the i’s (it’s faint, but maybe you can see it a tiny bit? Yeah, barely, sorry, couldn’t find a “darken” feature on my scanner).

But first. When people say “from the archives” in BlogLand, I think they usually mean a past blog post. Not so in this case. “The archives” are an old filing cabinet, a gift from my BFF B-Dawg. Covered in stickers (the file cabinet, not the friend):

I can't wait to tear apart the vampire and werewolf stories I found! This file cabinet is almost better than the New Kids On the Block pillowcase I found in my old doll closet. The wonders of exploring our garage/time capsule.

Here’s the list!

1. Strong characters

2. Learn lots on different subjects

3. Make stronger plots

4. Make “touching” stories, but keep humor

5. Don’t give yourself limits, be creative

6. It’s not bad to draw in the margins, it helps you think

7. Plot story before writing. [Okay, I’ve been refraining from commenting on my juvenile “advice,” but I have to interject here. I LOVE plotting. I could plot all day. But after finishing one set of revisions on The Black City, I’ve been writing fiction without plotting, and it’s great fun. Scary, but fun. And most people will advise you to do the opposite, to just write & let the characters lead you wherever their little hearts desire, but I just wanna say: do what works best for YOU.]

8. Work on self-discipline, you need lots [You may also want to explore punctuation options because your ignorance of the semi-colon is driving me crazy.]

9. Increase vocabulary

10. Clean up room, cleaner environments give you more ideas [See, this has been a problem for me since childhood.]

11. If you run out of ideas, stop because if you feel bored, readers will feel bored [Again, IGNORE this advice. If you run out of ideas, keep going. Something will come, maybe something you’re not expecting. Or maybe total crap. But see #8 above.]

12. Study and/or invent the background that you want your story to have [Do I mean setting here? We’d have to send a message in a time-travel capsule to ask my younger self.]

13. Make lists of things that you want in your story [I’ve always been a fan of lists.]

14. Keep a diary and it increases your vocabulary and sense of feelings

15. Make stupid lists like this when you’re bored

Marooned!

When you move into a house that has been previously lived in, there might be a few…how can I put this delicately…inherited items. (Indelicate translation: You’re gonna have to deal with crap left there by the previous owners.) These things can range from household cleaners (Scrubbing Bubbles), bath mats (one of which is still in the house. Kinda gross, but that’s how we roll, I guess), an RV cover (don’t even let me get started on that), faded, historic-archival-paper-colored vertical blinds, and maroon curtains. And really, I think we had it easy.

It would be easier if we were quicker on tackling those kinds of things that are Ugly and Soul-Demeaning and Kill You A Little Bit Every Time You Look At Them. Looking at them happens often, especially if they’re located in the front room, copied in triplicate, and use roughly the same amount of fabric as a debutante gown would need if it were created for a blue whale. And her two BFF blue whales.

Window 1

Window 2

Window 3

Thankfully, it didn’t take long for the tassled valances to come down. Actually, I have my mother to thank for this one. (Don’t worry, I’ll remember you on Mother’s Day!) I so wish I could share a photo of the tassled valances because they were awful. Well-meaning friends described them as macabre, theatrical, and funereal. I thought that was giving the valances too much credit.

Two years, three months, and twenty-six days have passed since we moved into this house and became the chagrined owners of these Maroon Curtains (something this terrible needs to be capitalized, like Ebola, Hurricane Katrina, and Voldemort).

I’m writing this blog post as a sort of experiment. Last time I complained bitterly about a Horrifying Aspect of Interior Design (again, came with the house), it changed, and it changed quickly. Will this blog post do the trick, now that my laziness and suffering have been shared with the public? Or will I continue to suffer, staring past my maroon-framed windows to the neighbors’ houses across the street and wondering, with a wistful sigh, what color curtains they get to stare past?

The Sky is Everywhere by Jandy Nelson

Why, oh why did the Internet eat my book review?

I shall have to start again, but I warn you, I’m not quite as excited to do this a second time.

The set-up: Lennie’s used to following her older sister, Bailey, around. Bailey has all the experiences with boys and doesn’t seem afraid to live. Then Bailey dies, and Lennie doesn’t know where she fits in the world anymore.

Main character’s goal: The goal changes, but without giving too much away I can say that at one point Lennie’s goal is to ignore one boy – the boy who lets her feel her grief for her sister’s death without getting swallowed up by it, and pursue the second boy – the one who is all light and happiness and helps her feel that she’s moving on from Bailey’s death.

My reaction: I thought the love triangle was done exceptionally well, and the characters were incredible, larger-than-life people. Even Bailey, who died before the story begins, is full and flawed and fabulous. The writing itself was lyrical, and I wondered how much of it was the author trying to be artistic and how much was truly Lennie’s voice. However, that was my writerly self wondering, and my readerly self kept saying, “Shut up and just enjoy the prose, you know you like it.”

Of interest to writers: The poems throughout – poems Lennie scribbles on whatever available writing surface there is, and are described as found in various places, like under a rock, or in the margins of Wuthering Heights, well, I enjoyed them and all, but then when I got to the end and ***mild spoiler alert here*** they actually had a purpose in the story line (even if it was a small purpose), I was impressed.

Bottom line: Read it for the beauty of the language, or the deliciousness of Lennie’s conflict, or the roundness of the characters…but just read it.

Reminds me of: Into the Wild Nerd Yonder by Julie Halpern.

Clean Up, Clean Up, Everybody, Everywhere…

…Clean up, clean up, before your mom pulls out her hair.

Somewhere in the universe there is a two-and-a-half-year-old who does everything she is told, when she is told. And happily. She doesn’t even whine. She says, “Okay, Mommy,” and scrapes her leftovers into the trash, and puts on her shoes when it’s time to go, and stops picking at her effing fingernails when you remind her not to because they will become bloody stumps otherwise. (Ahem. This is another issue I’ve been struggling with. But this is not the place, not today.)

I’ve never seen that two-and-a-half-year-old. She’s not in this house. Here we have the Ever-Suffering Mother trying to manage an adorable monster. We’ve tried bribing her to clean up by giving her “special occasion” toys. We’ve tried special songs – from the ever-popular classic “Clean Up, Clean Up” to Ricky Martin’s upbeat “Pegate,” to the ever-inspiring “Love Shack” by the B52’s. We’ve tried time-outs. We’ve tried time-ins. (Not really the time-ins, I just thought it sounded good.) Finally, what worked best was taking toys away if she didn’t clean them up.

Why did it work best? Not for the reason you’d hope, that she’d be suddenly transformed into a little cleaner-upper at the thought of losing her precious stuffed animal friends. No. It works best because when the toys disappear to the basement, there is less for her to clean up the next night, and the night after, and so on. Because the Ever-Suffering Mother does NOT traipse down to the basement every day to collect whatever toys were banished the day previous. So they sort of collect there.

The family room empties, the basement fills up.

And then, yesterday. I brought up armloads of toys from the basement, some of them Z hasn’t seen in ages. I made piles of toys in the family room. Guess what she did. Okay, fine, I’ll tell you: she put them away. And then she said something kind of sad, but so cute. “I’m not taking anything out.”

“Why not?” I asked.

“Then I won’t have to put it away!”

The "friends" are so much happier when theyre hidden away in their little nest. Z doesnt buy this logic.

NiFtY Author Ebony Joy Wilkins

Ebony Joy Wilkins is the author of Sellout, a young adult novel featuring an African American girl who undergoes the aching process of finding herself. It’s fantastic. You should go read it. In the meantime, learn a little bit more about Ebony and her writing.

March 9, 2011

BH: For those in our studio audience who have not read my review of your book, can you tell us a little bit about Sellout?

EJW: Sellout is the story of an African American teenage girl, NaTasha Jennings, who gets caught between two worlds: the white world she’s grown up in and the black world her grandmother wants her to embrace and experience for her own good. NaTasha gets herself into an embarrassing situation at home and flees to Harlem with her Grandmother Tilly for a few weeks to hide from her problems. Unfortunately for NaTasha there is a whole new set of problems waiting for her when she starts life with Tilly. Sellout is the story of a summer that will change the way NaTasha views her world forever.

BH: NaTasha endures some pretty intense bullying from her peers when she goes to Harlem . I thought this was horrible, naturally, but then started thinking about what NaTasha essentially puts herself through by trying to blend in with her all-white community in the suburbs. Which was the most difficult for you to write about from an emotional standpoint, and from a writing craft standpoint?

EJW: NaTasha is almost living a lie, by trying to fit into her world rather than leaving her stamp on it, like so many others feel they have to do. It was difficult for me to take a step back and allow NaTasha to navigate her own experience as an outsider, both at home and in an unfamiliar setting, without stepping in to rescue her. It was important for her to carve her own paths and I tried to remove myself in order for her to do so. This story is loosely based on my own experience, combined with stories of friends’ experiences, but reliving the feelings through NaTasha’s eyes was at times painful.

BH: Your next book is told from the point-of-view of a teenage boy. Is it hard to write from a male perspective? Do you have any tips for authors who wish to write from the perspective of the opposite sex?

EJW: I have three brothers and a host of male cousins and friends whose personalities I have stolen bits and pieces from to combine into one character, Jamal, who I love writing about so far. I started by developing a character plot at the suggestion of a former professor of mine, Sarah Weeks, and wrote down as much about Jamal as I could. At this point, I feel like I know him personally, what he thinks about and how he will react in most situations. When I sit down at my writing space, usually a comfy chair in my living room instead of my office desk, I put myself into his head as much as possible. At times it is a struggle to remove myself from his interactions with the other characters, but I feel it is going well so far. I guess we’ll see once I am ready to submit the story for publication.

BH: Tell us a little about your path to publication.

EJW: I completed an MFA in creative writing for children from New School University and Sellout started as my thesis project in the program. I worked and re-worked the story over many times, with great feedback from authors like Daphne Grab, Lisa Greenwald, Lara Saguisag, and Siobhan Vivian, who were in class with me. When I felt ready to submit, I sent the manuscript to David Levithan at Scholastic, who was a former professor of mine, and he expressed an interest in Sellout and said it was ready. In class we learned about the importance of having agent representation, and at the referral of Daphne, I found my agent Alyssa Eisner Henkin, and the rest is history!

BH: What does your workspace look like?

EJW: This is a photo of my official writing space, but I find I get more writing done in a comfy chair or lounging on a pile of pillows in my living room with the TV on mute in the background. At my desk space I have two bookcases filled with books on my to-read list, inspirational quotes, photos of family and friends who are super supportive of me, a 1960s-something typewriter that was gifted to me by my friend Claire, and all of my files that I probably don’t need to file anymore. The photo on the wall is of the NYC skyline, a.k.a. the concrete jungle where dreams are made of (Jay-Z).

BH: What are you reading now?

EJW: I read more YA lit than anything and recently finished The Hunger Games series, which honestly makes me want to bury my head in the sand –amazing storytelling! I also read my first graphic novel, Children of the Sea, which was a really interesting introduction into those types of stories. I just started The Neighborhood: Tiptoeing into poverty and finding hope by my friend, and former colleague, Leslie Alig Collins. I also am juggling many research texts, like The Handbook of Research on children’s and young adult literature, since I am back in school working on a PhD in education. My dream is to be teaching writing courses and writing full-time some day soon.

Ebony's 1960 Futura Typewriter

EJW: 1. Words don’t appear on the page on their own –WRITE! 2. There is no writer’s block, just excuses we put in the way of our own path 3. Write about what you know.

BH: Any words of advice to aspiring writers for keeping the hope alive?

EJW: 1. Completing a manuscript is the hardest part. Most writers come up with a lot of ideas, but ‘finishing’ and following through with a story is the key. You will have to revise a lot during and after, but if you don’t have anything to revise…keep going! 2. Put your work out there (contests, submissions, critique groups, etc.) for others to see. You can get feedback that will help push you along in the right direction. 3. Everyone has an opinion and you can’t please everyone. So, spend your time wisely and make sure you love your work first. 4. Get connected with other writers!

BH: Thank you so much, Ebony, for sharing your books and your advice on writing. I look forward to reading your next book!

For hands-down one of the best author websites I’ve seen, visit Ebony’s by clicking here.

Also, Ebony welcomes emails! – ebony@ebonyjoywilkins.com