The Gift of Belief

The Gift of Belief. No, I’m not talking about Santa Claus.

Last week, the YA Muses wrote about gifts for writers. What do writers want for the holidays? Things like people to read their books (Katy), ultra-fine tipped Sharpies (Donna), conferences and retreats (Talia), fingerless gloves (Veronica), and guilt-free writing time (Bret). Yes, sign me up for all of those. But the most important thing I want is something I already have, which is a community of people who believe in me. They believe in me not only when things are going well, but even when I have no faith in myself. When I’m thinking of herding goats in a cold remote country that has no computers or typewriters or notebooks.

Friends and family – writers & non-writers alike – post encouragements via email, texts, and Facebook. They listen to me whine. They talk me down when I’m facing the Crevasse of Insecurity. They celebrate the good things, and believe more good things are to come.

They also read my words over and over and over and come up with brilliant suggestions to make my words into something people – not just goats – would want to read. They listen to me obsess about plot, character, revisions, querying, success, and failure.

And all this time invested comes down to one very simple thing: belief. They believe in me.  Maybe they don’t think This Book is the one, but they won’t say so. Because even if it isn’t This Book, it’s the one after that, or the one after that, or – you get the idea. And they’re all along for the ride, with all its ups and downs.

I’m frowning a little as I write this, because it’s so sappy. But it’s true: I love you.

So We All Understand Each Other: Just because I’ve already received the Gift of Belief does NOT mean I will turn down other, more materialistic offerings this holiday season.

So tell me – who do you have to thank for believing in you?

Baker’s Dozen Auction…again

This is not a Momming Around post. It was a toss-up: either write about what happened yesterday with the Baker’s Dozen Auction, or give a list of reasons why I should move into our bathroom (it’s actually a compelling list – you may see it posted in the future).

Yesterday, I was all set up to do multiple page refreshes and comment-feed checks. Like, for hours. I had no idea how the auction would play out, and frankly, not a lot of faith in myself or my writing at that point.

That’s not entirely true. I vacillated between, “I am the QUEEN WRITER and no one can eff me up!” and “Woe is me, my writing is horrible, and why did I ever listen to Kristen about entering this silly, silly contest where the agents will ridicule me in the comments section and tell me to get a job raising goats in a remote, cold country that has no computers or typewriters or notebooks.” Sadly, I was mostly in the second, insecure frame of mind.

So yesterday morning, I left home at 8 to drop Z off at school. When we arrived at school, I received a text message. It was Melissa, telling me I had a bid!

By the time I got home, I’d received numerous extra text messages from Melissa, each one spazzier than the last, culminating with the Big News: a full manuscript request. In all this time, I was trying to turn my laptop on and actually SEE the bids, because I was convinced that some jerk out there was pretending to be agents and making bids even though he was a jerk and not an agent, so that suckers like me would get all excited and squeal and dance and then find out, the lottery ticket was a total fake (see: joke my high schoolers played on me for my birthday) (I haven’t actually written about that and I never will, because it was a cruel, cruel trick and besides you get the idea anyway).

To my non-writing friends in the studio audience: no, this does not mean the book is being published, and no, it doesn’t even mean I have an agent. It means that the winning agent who has excellent taste (especially based on the other entries she bid on), will read my manuscript. That’s all. She will read it, and do one of (I think) three things: 1) offer representation, 2) suggest revisions and invite me to resubmit the manuscript, or 3) decide the project isn’t for her (boo) but hopefully give me a clue why (yay!).

The bids were exciting, and it was fun to watch the bidding on the other entries, as well. But I think the truly beautiful thing about the whole experience was being a part of that group, that community of writers who were cheering for each other and encouraging each other and giving just the best critique and feedback they had to offer.

Miss Snarks’ First Victim has secret agent contests on a nearly-monthly basis, and in-house critique sessions, in addition to the annual Baker’s Dozen Auction. If you write fiction, I strongly recommend joining in the fun, because you won’t be disappointed in the talented, warm-hearted people who frequent her blog.

ETA: the auction from an agent’s perspective: click here for Josh Getzler’s blog post.

Writerly Rambles (Obsession Styles of the Poor & Obscure)

Now that I’ve tightened le manuscript (as in, deleted roughly 5,000 words simply from eliminating needless dialogue tags and instances where one character “looks,” “glances,” or “sees” another), and I’ve read it over and don’t know what the heck else to do with it, I’ve got to get another pair of eyes on it…again.

For some reason I’m finding this harder the second time around.

So I’m reading it again. Taking out more words. And worrying about the following things:

  • Will anyone actually like this main character?
  • How’s the pacing? I’m bored in places, but I’ve read them dozens of times, so is it just me, or my lackluster plot?
  • Does my main character have enough interiority? (for some excellent posts on this, go to Katherine Longshore’s post at the YA Muses, and Mary Kole’s on Kidlit)
  • Is the leading dude enough of a heart-throb?
  • Does the “woe is me I’m so hopeless about everything” section drag on too long?
  • Am I ever going to convince certain members of my critique group that dropping the prologue is in the story’s best interest?
  • Will anyone who read it the first time like the changes I made? Or will they grumpily say, “Why didn’t you change X? Why did you change Y? Why did I bother giving you advice last time when you followed it in such a shoddy way?”
  • Is this story anything anyone will ever want to read?
  • Maybe I should go tinker with software to make a book trailer, even though I don’t have a book yet.
  • Is it time for me to just get a job already? Possibly creating book trailers for the successful writers out there?

The Monster, Part 3 (and The End!)

For Part 1, click here. For Part 2, click here.

The Monster

Kimberly heard someone behind her. She turned around quickly, just in time to see the sorceress pointing her wand at James and chanting in a foreign language.1 Kimberly had no time to think. “Noooooo!” she wailed, then took up a handful of dirt from the hard-packed earth,2 hurling it at the twisted face of the sorceress.

  1. Wow, this is so much easier than the entire theory of magic I created for my current manuscript. Wand, foreign language, boom. Sorcery.
  2. I’d imagine it would be rather difficult to pick up an entire handful of dirt from hard-packed earth. Just sayin’.

By an invisible and powerfully strong force, Kimberly was pushed to the ground. There she lay, unconscious and still.

Kimberly awoke, startled to see James’1 handsome face directly above her own. A cold wash cloth was being pressed against her forehead.2 “Kimberly, are you all right?” James asked tenderly,3 brushing her hair away from her face.4

  1. I think we already discussed the James’/James’s issue.
  2. We haven’t, however, talked about passive voice. “Was being pressed” is totally awkward, and leaves out any agent doing the pressing. Of course, we can guess it’s James pressing the wash cloth, but why not just say so?
  3. And I KNOW we’ve talked about adverbs.
  4. Also, we’re missing the entire, huge problem with this story. The old “Oh, I got knocked out, WTF happened while I was in my Victorian swoon?” (As much as I loved The Hunger Games, Katniss does this a few too many times in the third book.)

“James, I – I didn’t think you could come,” she said dramatically.1 “I knew you were mad; I thought I was doomed.”

“I would never leave you to die. I’ll never be that angry.”

“So what happened?”

“You distracted the witch for me, then I had the chance to kill the monster, then I fought the witch and killed her too. But when you threw the sand in her eyes, she aimed her wand at you instead. That’s why you got hurt.”2

“Thanks, James, for saving me.” Kimberly reached forward and kissed him gratefully on the cheek.

“No, Kimberly, I couldn’t have done it without you.”3

James cradled Kimberly in his arms for a moment, then picked her up and carried her away from the woods and the evil memories that remained there. They would make up. They always did.4

  1. Dramatically. Seriously.
  2. This entire recount seems to be out of order.
  3. Despite the cheesy dialogue, I must congratulate my teen self on how I did not overuse dialogue tags in this section. We know who’s talking, so why add “he said, she said”? Something I should have kept in mind for my current manuscript.
  4. I thought they already made up? Or is this referring to their big college argument that never got resolved? That must be it. Well, luckily I don’t think anybody cares how they solve that problem.

And thus ends our journey into this endearingly short romance. (Indeed, its brevity may be the only thing in its favor.)

NiFtY Author Stephen Brayton

Stephen Brayton is the author of mystery novels Night Shadows and Beta. He also rocks the taekwondo scene.

BH: Stephen, thanks for visiting us today! What’s your one-paragraph pitch for your latest book, Beta?

SB: There’s this time traveling guy who flits around the universe in a British police call box. Usually he has a beautiful companion…wait, that’s the premise of one of my favorite TV shows. Let me try again.

Private Investigator Mallory Petersen, a fourth degree black belt with her own taekwondo school in Des Moines, Iowa, splits her time between teaching martial arts and her often inane cases. When she accepts a case to find Cheryl McGee’s kidnapped eight year old daughter, Mallory is pulled into the dark underworld of child pornography. The trail soon leads to the Quad Cities, where Mallory partners with an officer from the Special Case Squad. Mallory discovers that there’s more to the girl’s disappearance than her client let on. Adult readers will find grave issues tempered by humorous scenes.

BH: I notice one of your previous books, Night Shadows, is only available in eBook form, and I have some writer friends currently exploring publishing their manuscripts as eBooks. Can you tell us what influenced your decision to publish Night Shadows as an eBook?

SB: What influenced me? Two huge guys in black suits who slammed me against the wall, wrenched my arms behind my back, and told in calm but raspy voice that if I didn’t do as they asked, then bad things were going to happen to my collection of Batman comic books. Well, what else was I supposed to do?

Actually both books are eBooks. When I contracted with Echelon Press, they mentioned all new authors start with eBook format.

BH: You’re involved in Taekwondo – you’ve even got your own academy (click here to visit that site). How does your martial arts experience relate to your writing…or do you try to keep the two separate?

SB: Do you want to know about my experience getting knocked out at a tournament or the time I took on five guys one night outside a local bar? Oops, sorry I was dreaming there for a second. Actually I did get knocked out once, but I don’t think I suffered too many after effects. I’m sorry, what was the question? My favorite ice cream?

In Beta, I have Mallory Petersen use a lot of the skills I’ve practiced over the years. The challenge was to come up with different techniques she can use so the reader isn’t always getting the same front kick or punch. So I had to devise various scenarios where she can show off.

BH: What are you currently working on? Can you share any details?

SB: Does working on my tan count? You probably don’t care about the details. Oh, you mean writing projects.

I’ve started on a few different stories. I’m stalled in the sequel to Night Shadows trying to determine the direction of the story. The next Petersen story is finished so I’m gathering ideas for the third book. I’m also working on a thriller with a woman who uses Army Ranger skills to survive in the woods after being attacked by four men. I’ve also started (and don’t let it be passed around too much else my reputation will be totally shot. Lol) a romance. I’m hoping to collaborate with another author on this one.

BH: Which of your characters do you think is the most like you, and why?

SB: Mallory. Yes, she’s a woman, better looking, and way more talented, but she has a cool sense of humor, is intelligent, caring, and dedicated to her jobs.

BH: What does your workspace look like?

SB: Surprisingly, or maybe not so much, I do very little writing at home. I usually wait until I go to work. Since I work the graveyard shift, I rarely see anybody and I have a lot of free hours. So I’ll sit behind the desk or out in the lobby with either a notepad or the laptop. It’s quiet except when I turn on the classical music station and I’m usually not distracted by too much activity.

BH: What is your favorite book on the craft of writing?

SB: Any Dr. Seuss book. Especially Green Eggs and Ham. Awesome book.

Seriously, I tap into Todd Stone’s Novelist Boot Camp. It’s helped tremendously when I go through the editing phase.

BH: What is the best writing advice anyone has given you?

SB:  “Take a hike, loser, you bother me.” Oh, wait, that was what the last girl said when I asked her to dinner.  Then she proceeded to…well, we won’t get into that right now.

I think my Dad has helped me a lot. He encouraged me to keep up the writing. Also, when I’ve needed assistance, he’s told me I can pay him back “When I’m a rich and famous author.” Words like those that have kept me persevering.

BH: Stephen, thanks for visiting today! Everyone else, for more information on Stephen and his books, check out his website here, and his blog here. You can buy Night Shadows by going here. He’s also on Facebook and Twitter.

Note for weekend commenters: I’m out of town until Sunday evening, and won’t be able to moderate comments until then. This means if you’re a first-time commenter, your comment won’t show up until Sunday or Monday. Thanks for your patience!