NiFtY Author: Sunny Frazier

For today’s NiFtY Author I give you…drum roll…Sunny Frazier! Sunny has published two mysteries, Fools Rush In, and Where Angels Fear, as well as contributed to numerous anthologies. She’s also active in her publishing house, and works to help other authors promote their work. Keep on reading to learn more about this nifty author!

BH: What’s your one-paragraph pitch for the first Christy Bristol book, Fools Rush In?

SF: Astrologer Christy Bristol is egged on by a former boyfriend to do a horoscope for a drug dealer and finds herself the one with a precarious future.

BH: Can you tell us a little about your path to publication? Did you go the traditional “agent” route, or did you use some other scheme?

SF: I won a spot as one of the seven authors chosen for the Seven By Seven anthology. The publisher liked my flash fiction so much that he offered me a contract for my book.

BH: Ah, that’s the kind of success story we unpublished authors salivate over. What are some of the challenges you faced by not working with an agent? Were there benefits as well?

SF: I only experienced the benefits. I got not only a lot of say with how my own books were published, but both my past publisher and my current publisher have looked to me for input on picking manuscripts for the publishing house. They also picked my brain for marketing ideas.

BH: Your publisher, Oak Tree Press, is an independent publisher. What are some of the benefits of working with an independent publisher?

SF: Trust and immediate access. We communicate constantly, by e-mail and phone. I am now acquisitions editor for the Dark Oak mystery line. I also introduced two new lines: Wild Oaks Westerns and Mystic Oak for paranormal novels.

BH: Are there any disadvantages to working with an independent publisher?

SF: It’s never easy to get books into brick and mortar book stores. However, many are closing and the reading public is ordering on Amazon. Also, e-readers are finally finding acceptance with Kindle and the I-Pad. Aggressive Internet marketing is leveling the playing field for authors with smaller houses.

Sunny standing with publisher Billie Johnson at a pitch session in Las Vegas

BH: I tried to write a mystery—once. It quickly turned into a (not very good) thriller/suspense novel because I couldn’t figure out how to give just enough information without making the killer’s identity obvious. Do you have any tips on this for aspiring mystery writers?

SF: I think the definition of “mystery” has blurred considerably. The “puzzle” type mysteries such as Agatha Christie wrote are not common these days. Instead of being plot driven, we are seeing more character-driven story arcs. I don’t write whodunits, I write whydunits. In fact, I tell you who the victim is and who the killer is on the first page—the “Colombo” formula. The reader keeps reading to see how my character Christy uses astrology to her advantage.

You should have stuck with your suspense novel.

BH: Oh, I did. Unfortunately the premise wasn’t a wowzer, so I’ve moved on, and I read other peoples’ mysteries now.

Every unpublished author thinks all her problems will be solved as soon as she gets her name in print…even though published writers tell us this isn’t true. Did you have any unfortunate wake-up calls?

SF: What I try to instill in writers is to start promoting as soon as you decide you want to write a book. Name recognition is very important. Getting people accustomed to your “voice” through blogging, learning about the industry by monitoring group sites, getting comfortable with promotion. People want to make it a chore and it’s more of a mindset. I work on promotion on Sundays. I have 35 sites I belong to, all are professional sites for writers, readers and publishers. They each give you your own page, so it’s like having 35 websites. I developed what I call “the posse” to teach people how to effectively promote. All I need is an e-mail and attentiveness to my nudges. It takes years off people’s careers, unless they want to start from scratch and reinvent the wheel.

BH: When you first wrote Fools Rush In, were you already planning a sequel?

SF:  I had six books in mind: titles, plots, characters.

BH: What was the most enjoyable part of writing the sequel, Where Angels Fear?

SF:  I didn’t realize that Fools Rush In was one of the hardest types of mysteries to write. My protagonist was stuck in a room for most of the book. In the sequel, Christy and her sidekick Lennie get to traipse all over the Central County uncovering clues to a sex club. There’s more humor as well. I had a hard time keeping a straight face while writing.

BH: Is a third book in the works?

SF:  Slowly but surely, A Snitch In Time is making its way on paper. I’m so busy speaking at conferences and conventions as well as reading query letters for Oak Tree Press that my own work suffers.

BH: Can you compare your series character, Christy Bristol, to anyone you know in real life?

SF: Uh—me. I worked as an office assistant with an undercover narc team for 17 years in the sheriff’s department and I’ve done astrology for nearly 40 years. Christy is much like I was in my earlier years.

BH: What is your writing schedule like?

SF:  My computer is on for 12 hours a day. I write in small clumps, fitting in the novel when I get tired of reading manuscripts and conducting business via e-mail. My eyes get so tired staring at the screen, sometimes I just hit the couch and close them. My brain keeps going over the story until I’m ready to tackle the keyboard.

Oh, and I don’t have kids, a husband or a job to interrupt me. Just a bunch of cats who give me space when I’m at the desk. If not, they have to go out in the yard and play.

BH: What does your writing workspace look like?

SF: It’s usually a mess with notes scattered all over. I have a rolodex, a Victorian calendar, and a pen carousel with a fake raven stuck in the center. For some reason I work well in chaos.

BH: What is your favorite book on the craft of writing?

SF: Self-Editing For Fiction Writers—How To Edit Yourself Into Print by Renni Browne and Dave King. I checked it out at the library and loved it so much I ordered a copy from Amazon.

BH: What is the best writing advice anyone has given you?

SF:  Early on I heard authors say “Enjoy the journey, not the destination.” That’s the truth. If writers fret too much about publication they will miss the whole point of writing. It’s all about the people you meet, the sharing of minds, the art of creating, giving your ideas to the world. Money is usually lousy, hours are bad, solitude wears on you and there are no health benefits. But still, it’s a wild ride.

BH: Any words on advice to unpublished writers for keeping the hope alive?

SF:  Small presses are worth taking a chance on. I always tell writers “You can’t promote what doesn’t exist.” Get that first book out there and get the machine rolling. Don’t think the first book you’ve written is the only one you have in you. Start another right away.

Sunny, thank you so much for the interview, and for sharing your books and insights. To our studio audience: don’t forget to check out the links below to learn more about Sunny, her books, and her publisher! Simply click on a description to reach the site.

Sunny’s website. This is where you can find The Murder Circle.

Oak Tree Authors are assigned blog dates. Meet us!

Order Oak Tree Titles, learn about our contests, get the latest info on what we’re doing in the publishing world.

NiFtY Author: Marja McGraw

This week’s NiFtY Author is none other than Marja McGraw, author of the Sandi Webster mystery series. Now she’s branching out into a new series, The Bogey Mysteries, which also promises to delight readers. Details on Marja’s books, as well as her thoughts on research, writing, and how pets enrich a story, can all be found below!

BH: What’s your one-paragraph pitch for the latest novel in your Sandi Webster series?

MM:  Imagine you’re a young, female P.I., it’s late at night and you’re watching the motel room of an errant husband. Surveillance can be so boring, you think to yourself, until the angry wife shows up and blows your cover, and the husband comes after you. Now imagine that Humphrey Bogart, who’s been gone for many years, comes to your rescue. Huh?

BH: How many books have you published, and which is your favorite?

MM: I’ve published four books in the Sandi Webster series, one stand alone book, and the first book in a new series (The Bogey Mysteries) is due out before long.

Hmm. My favorite would probably be The Bogey Man, because not only was it fun to write, but I was able to research and use a lot of 1940’s slang. Chris Cross, whom Sandi refers to as the Bogey Man, really wants to emulate Bogart as he was in his private investigator roles in the movies. Also, the new series is a spinoff from this book, which is opening new doors for me.

BH: Tell us a little bit about Sandi. What makes her unique and engaging as a series character?

MM: Sandi is relatively young and a little naïve for a private investigator.  She tends to romanticize her job, which isn’t very realistic. She grew up watching the old P.I. movies, and she’s tried to model herself after the vintage gumshoes. Her partner, Pete, balances her attitude with his own ex-cop demeanor. She has an overbearing, menopausal mother who inadvertently teaches her about being tough. She’s constantly growing and changing as a character. She often feels she has to prove herself to people because of her naiveté, and she comes up with some fairly unique ideas in times of stress and danger.

BH: In a conversation with a friend recently, we discussed how some famous authors (unnamed for purposes of not slinging mud) have trouble keeping their series going for too long because eventually the hero’s development stalls. Do you have any tricks to share on avoiding that trap?

MM: What can I say? I’m mumble mumble years old, and I’ve never stopped changing and growing. Consequently, I try to fashion my characters to follow real life development. Circumstances change us on a constant basis. So I guess my trick would be to take a good look at real life and create circumstances in the stories in order that the characters may grow.

BH: Your novel A Well-Kept Family Secret departs from your other Sandi Webster books in that it involves a hundred-year-old case. While doing the research, did you come up with any new details that changed the shape of the novel?

MM: Nothing that actually changed the story, although the history for that era was quite interesting. I was able to include some of it in the story (in small doses), and I think that enhanced it. The people and their lifestyles were interesting around the turn of the century. This story involved the old Red Light District in Los Angeles, and I found some interesting papers and maps. For instance, there’s a tax map that shows Ladies’ Boarding Houses in Chinatown, and those were actually the brothels – so even maps helped.

In 1994 I read an article in the newspaper about the water district doing work on the parking lot at Union Station in downtown L.A. In the process they uncovered portions of the old Red Light District, including outhouses, which is where a lot of items were disposed of.  I contacted the archaeologist who handled the project, and he supplied me with invaluable information.

Why was I so interested in this period? Because my great-great-grandfather was one of two men who ran the real red light district. I grew up hearing stories about him, what he did, and about a buried treasure attributed to him and his brother.

BH: Do you have any other projects planned?

MM: As I mentioned, the first book in a new series will be out before long from Oak Tree Press. I’m pretty excited about it. Bogey Nights was a lot of fun to write. It’s probably a little more mature than the Sandi Webster series, because the characters are married and have a son, and I found a whole new type of humor in their lives. I’m working on the second book now, and the working title is Bogey’s Nightmare.

BH: I read one of your blog posts on how having pets in a story “enhances the storyline.” Could you elaborate on that?

MM: Absolutely. I’ve included canines in both of my series, so I’ll stick to dogs in my answer. A dog can play almost as big of a role as a human character if you’ll let it. They’re smart, funny and terribly loyal and protective. They’ll do anything in their power to keep their human happy, although they can be the cause of some angst, too. A dog can even be a possible victim or a hero, and they can provide comic relief. They can demonstrate hurt feelings, joy, sadness and grab your heart in the process. They can enhance the story without simply being filler.

I recall one of the lowest times in my life when I was sprawled out on the bed, crying my eyes out. My dog jumped up with her (gutted) teddy bear and laid it on my arm, and then snuggled up next to me until I’d cried it all out. Take note: the dog comforted me, while people kept their distance. I also recall another dog who became very frustrated with me because he thought someone was knocking at the door every time there was thunder during a storm. He couldn’t seem to figure out why I wouldn’t see who was there.

BH: What is your writing schedule like?

MM: I generally work for four to six hours in the morning, when I’m the freshest. I’ll work anywhere from five to seven days a week. Most of my stories take six to nine months to write. I write, let it sit and then go back and read it again, making changes where necessary. I have critique partners who read the stories two chapters at a time, and when they return the chapters, I rewrite again. When the story is done, I go back to the beginning and read it straight through, making more changes and edits.

In the meantime, I update my website every few months, and I try to keep my blog (located on my website) updated weekly, with a new one appearing on Sunday or Monday.

I critique for the same people who look at my work, review a book every once in a great while, and try to put together a marketing plan as best I can. Promote, promote, promote.

My writing schedule includes a lot more than just writing.

BH: What does your workspace look like?

MM: When we had our house built, I had them turn the third bedroom into an office. I have an oak roll top desk that fits nicely into what would have been the opening for a closet, and the closet shelf holds my paper and other supplies. Copies of the book covers adorn the wall by my desk along with a photo of Humphrey Bogart, and I have bulletin boards that I can jot quick notes on, so I won’t forget ideas as they come to me. For my birthday, my husband bought me a painting of a man wearing a suit and fedora, sitting at the bar in a lounge. The view is from the rear and you can just barely see the man’s jaw line. He has a martini in one hand and a cigar in the other, and it could most definitely be a picture of the Bogey Man sitting at the bar in the lounge part of the restaurant he and his wife own.

Other than that, my workspace is pretty much a mess.

BH: Sounds like my workspace. Oh, I’ll admit it. It sounds like my whole house. What is your favorite book on the craft of writing?

MM: I can’t honestly say I have a favorite. I’ve read several, and I pick and choose what I need from each of them.

BH: What is the best writing advice you’ve received?

MM: Never give up and keep striving to make your writing cleaner with each read through. And grow a thick skin, because not everyone will like what you write. (Nah, really?) Always, always, remember your manners and treat people the same way you’d like to be treated. Lastly, and most importantly, don’t let family and friends fall by the wayside because you think you’re too busy for them.

BH: Any words on advice to aspiring writers for keeping the hope alive?

MM: If you honestly believe you’ve written a good book that people will enjoy reading, never give up. Read some of the stories behind successful authors, and you’ll see that some of them went through a lot of hoops to get where they are now.

The Sandi Webster series is published through Wings ePress, and I’ll always be thankful to them for giving me a chance.

Now let me tell you my success story. I’d submitted Bogey Nights to Oak Tree Press, and they liked it, but they wanted to meet me. They were attending a conference in Las Vegas and asked if I could be there. Ha! Like I would have missed that opportunity. They offered me a contract right there, on the spot, something they’d never done before. Sometimes good things happen when you least expect it.

BH: That’s the kind of story that keeps us unpublished authors type-type-typing away. Thank you, Marja, for stopping by and answering some questions for us!

I don’t know about all of my writer and reader friends, but for me, it’s inspiring and informative to hear responses like this from other authors. The success stories are great because they get me movin’ and hopin’, and the advice is always sound, coming from other professionals in the trenches…er, I mean field.

To learn more about Marja and her books, you can visit her website by clicking here.

Beth’s Book of Pretty Girls by Beth

This is my 100th blog post, so let’s celebrate with an extra-special book review. This book is currently out of print, so I spoke with the publisher and she told me she didn’t mind my posting the book in its entirety on my website.

As I am the author of the book, I agreed to be interviewed by an anonymous, sympathetic interviewer who we will all agree to pretend is not me. Suspension of disbelief, people!

ASI (Anonymous, Sympathetic Interviewer): Beth, thank you for agreeing to this interview. Tell us about your book, “Beth’s Book of Pretty Girls (Written by Beth).”

Beth: It’s the product of an afternoon spent at my grandparents’ house. As a young girl, I was inspired by beautiful, strong women wearing sagging tube dresses. Cats and flowers figured largely into my fantasies as well, as you can see from the first page of the book. (shown below)

ASI: Could you tell us a little bit about the “NO” and arrow pointing to the cover image’s…skirt?

Beth: Well, as I was illustrating the cover, I realized my readers would most likely appreciate a non-example of what my book was about (i.e. an ugly girl). However, the title clearly says “…Pretty Girls” so I needed to succinctly indicate that the cover girl is indeed not pretty. [Truth: I was trying to draw a pretty girl, failed, but had already written out the title. As I was creating this masterpiece in ink, there was nothing to do but make sure the audience knew that I knew that the ugly girl on the cover was a mistake.]

ASI: I’m not sure how to put this delicately, but I notice there is a large number of typographical errors in this story.

Beth: Yes, my editors worked only part-time, and only when requested. For example, I recall asking for the spelling of “girls” for the cover page. At the time of writing, I couldn’t be bothered to ask for the spelling on subsequent pages, nor did I think to refer to the cover. Perhaps the cover had already gone into production and was unavailable; the details are fuzzy on this.

ASI: How old were you when this book was published?

Beth: I think I was five. Possibly six, although I’m pretty sure I knew how to spell “girl” by the time I reached first grade.

ASI: Have people likened your child genius-ness to other young authors such as Christopher Paolini and Hannah Moskowitz?

Beth: Not yet, but I think with the recent publicity of this book, “Beth’s Book of Pretty Girls (Written by Beth),” they will soon.

ASI: Even though you’re, um…no longer young?

Beth: I thought you were supposed to be a sympathetic interviewer?

ASI: Right. Tell us about page 2 of your book.

Beth: I didn’t want to limit my audience by focusing only on flower princesses. By adding the castle princess to the story, I feel I really moved out of a niche market and into a wider audience.

ASI: Any comments on those Edward Scissorhands-ian fingers?

Beth: Hands are difficult to draw. I was on a deadline. And long, pointy fingernails were all the rage in 1986.

ASI: Do you think the waistline of this figure sets up unreasonable body shape expectations for young girls?

Beth: I suppose you could ask the same question of Barbie and every single Disney princess. I think everyone should instead focus on her poofy sleeves.

ASI: The paper medium you utilized for this project is very unique.

Beth: Yes, printing costs were up, so I made do with scratch paper from a library’s card catalog. (Click here for a Wikipedia entry on what a card catalog is, you young whipper-snappers who’ve never heard of such a thing.) My maternal grandmother worked in a library for some years and kept us in good supply of scratch paper.

ASI: With the third page of your book, you really branched out.

Beth: Not wanting to limit my audience to princess-admirers, I included a rock-n-roll girl…complete with side ponytail and sticky-up bangs.

ASI: That’s amazing artwork. She’s wearing a sort of Disney Peter Pan dress.

Beth: That’s her cool mid-80s grunge rock dress.

ASI: Wasn’t grunge a 90s thing?

Beth: What’s the point of this interview exactly? I thought it was me, and my book.

ASI: Moving on to the last page of your book, we can see how you really experimented with textual and rhythmic forms.

Beth: I’m especially proud of my use of repetition as a literary device.

ASI: Let’s type out the text here to make sure all of our readers can catch it:

Pritty (girls) are very very Pritty.

Handsome boy’s are very very Handsome.

do you need a doll or do you Need a Boll.

two frot’s are moore fun then one [note: “frot’s” should be “fruits”]

Beth: I should confess that the last line was borrowed. From a commercial slogan, if I remember correctly.

ASI: Well, almost as amazing as the intelligence, insight, and industriousness of this book is the fact that you have remained the owner of the sole copy in existence for all these years.

Beth: I expect to start getting bids for the original any day now.

ASI: Well, folks, this is the only place you’ll find Beth’s Book of Pretty Girls (Written by Beth). Thanks for stopping by, Beth, and indulging my questions.

Beth: (gracefully, modestly, and looking ten pounds lighter) Any time. I’m happy to be here.

Portable Writing Workshop

What you see here are seven stalkers that haunt me during Z’s nap, after her bedtime, and all those hours in between. They follow me to the front room: “Don’t read to your daughter. Instead, zone out and think about plot.” They gaze at me from the nightstand while I try to fall asleep: “Why are you sleeping? You’re wasting precious writing time.” They lounge next to me on the couch in a way that says, “We’re watching you. Pick up that Nintendo DS and you can forget having a breakout novel.” They join me at the table: “Are you going to eat that? Should your main character eat things like that? If she doesn’t want to, will you put her in a situation where she has to in order to, say, save the world? Just how important is ice cream to your novel?”

From the top left, the stalkers are:

1. Idea notebook for The Black City (working title of my current project/new manuscript). Please note (and admire) the bright Post-it tabs adorning the top. They divide the notebook into the following sections: Plot, Characters, Setting, Creatures, and Magic. The Creatures tab is so far kind of pointless. I might replace it with Ice Cream.

2. Writing the Breakout Novel by Donald Maass. The gimmicky title turned me off, but after being stalked by the title through various literary agent and writer blogs, I finally decided to give it a chance. (Much like Jacob in the Eclipse movie. Cringeworthy and excessively stalker-ish on the outside, but sincere and…never mind. The comparison doesn’t work at all.) (Really. Forget the Jacob comparison. It never happened.) Another bonus for this book is that it’s a library copy, well worn in, and I can prop it open with one of my other notebooks and have two hands free for eating…ice cream.

3. Manuscript book. I hate sitting at a computer and trying to create something, so I write by hand instead. At the computer there’s so much pressure. Most of it is behind my eyeballs somewhere, but also in my neck and back a little. Plus our computer’s in the basement, and I don’t want to spend that much time down here if I can help it. Unless I’m reading blogs and eating ice cream.

4. Black pen. Used for pretty much all writing. Diary. Notes. Manuscript. So far ineffective as spoon for ice cream.

5. Blue pen. Essential to snarky comments in margins of manuscript, and note-taking. It’s a pleasing color, a welcome relief from the Black pen. Also not a spoon.

6. Red pen. For heavy-duty editing. Great also for recording Unforgettable Fabulous and Difficult-to-Convey Ideas of Inspiration (example: DUDE. Make her have crush on old guy) that may never come to fruition, but probably will because according to #2 above, a writer needs to make things as difficult as possible for her protagonist. The red pen is also not a spoon.

7. My current diary book. Full of notes on Maass’s book. And the occasional glob of melted ice cream.

Everything a writing mother needs to get herself through the day. Notebooks, pens, a gem-book on the writing craft, and…stupid Twilight comparisons. No! Ice cream!

It’s the Friday before Labor Day, which means I’m in the mountains somewhere, or on my way at least. I won’t have internet access to moderate comments until Monday, so if you haven’t commented before and your wonderful words of wisdom don’t show up right away, they will soon.

Oh, ALSO. My writing “pardner” Seven and I have made a pact to write 1200 words, six days a week, so by the end of October we’ll have finished the first drafts of our works-in-progress. Does anyone out there want to join up? If you’re interested, you can contact me through my contact page, or leave a comment here.

NiFtY Author: Matt Coonfield

I have a very special NiFtY Author Interview for you today, featuring one of my favorite people in the world: my little brother. He hasn’t always been my favorite person. There was this time once when we were playing Legos and he was obviously wrong about something, and we weren’t very good friends right then…but I digress.

Here’s his interview. You’ll laugh, you’ll cry, you’ll throw tomatoes and have to clean off your computer screen. Good luck with that.

BH: What’s your one-paragraph pitch for your work-in-progress?

MC: I don’t want to give away too much. I am actually quite paranoid. The short version is a young man named Ray starts a civil war in the ghost world in an odd and adventurous way.

BH: What was the biggest challenge in finishing your first draft?

MC: Honestly my biggest challenge has always been me. I am a big lazy hurdle that I just can’t jump. I don’t like to write when it is hard, when I have to grind it out. Generally I only like to write when it is flowing. Anyone who writes knows what I am talking about. When you can churn out twenty pages a day and the only reason you stop is fear of carpal tunnel. When your thoughts are practically jumping on to the paper for you. That is when I like to write. When this doesn’t happen I start a new book. Oddly I have never finished one until now.

BH: Can you compare Ray, the main character in your work-in-progress, to anyone you know in real life?

MC: I guess parts of him are me of course or parts of me if that makes sense. I’m not schizo or anything but I like to pretend I am Jared from The Pretender. I have hidden Matt compartments that I draw from and one of them happens to be a teenage ghost-hunting ghost, conveniently enough.

BH: I understand you’re working closely with somebody else on this project. What is his role in your project?

MC: As I mentioned earlier I am notoriously lazy when it comes to writing. My partner’s name is Don and he is basically my dentist. That is to say he pulls teeth. We have only been working together a short time and I am considering buying another cell phone and not giving him the number. Other than that he does all the things I hate: paperwork, typing, forms, queries. Once he offered to paint my garage if I promised to write more.

BH: What is your experience like, working with another person? What are the pros and cons of this arrangement?

MC: Well Don can be quite persistent sometimes calling me four or five times a day. I had to get used to it at first but we’ve come to an understanding now. He has given me 100 percent artistic say so, which was a condition when we first started, but even then sometimes he feels adamant about something and I hate to put my foot down too much. There is one scene in particular in the book that he wrote and it makes me leery but I have let it go so far.

BH: One of the things about your writing that impresses me is all the crazy ideas you come up with—ideas that you can make work. Where do you get your ideas and inspiration?

MC: Well… My faith is definitely an inspiration to me. Really I don’t think I could write without the Bible. Not that my stories are Christian but the right and wrongs for me come straight from the source. After that I steal them. I guess it sounds weird to say that right after my Jesus plug but it is honestly what happens. I always read things, good and bad, and I can see the improvements that need to happen. I see a tweak that if the author had seen could have changed his whole piece for the better. When I find those tweaks early enough in a book or combine them with other tweaks I get really excited about what I can do with it and when I get excited….

BH: What is your writing schedule like?

MC:  I try to fit it in between reading and Pokemon but too often I am forced to combine two of the three to make up for time.

BH: How has your writing changed—either the scheduling or the experience itself—after becoming a father?

MC: My scheduling has definitely become more intense. The very reason I had agreed to work with my coauthor in the first place is money. I need it. I can’t sell a book if I don’t finish one so I brought on Don to help me finish my books. The experience hasn’t changed in the least, I just have a deeper well to draw from.

BH: What does your writing workspace look like?

MC: My writing workspace looks suspiciously like the cab of a Nissan Frontier. Much to the chagrin of my typist most of my good ideas come when I should be paying attention to the road. This makes for some very peculiar handwriting and possibly the next unfinished series. We all know how well it worked out for the Canterbury Tales. Don’t judge me.

BH: Just remind me to avoid the road when inspiration hits. What is your favorite book on the craft of writing?

MC: A notebook.

Beth and Matt Read Catching Fire

BH: You told me recently that Suzanne Collins’s The Hunger Games is not your favorite book, but it made it into your “top ten.” What is your Top Ten?

MC: The Bible, X-Men, Dracula, Death in the Long Grass, The Night the Bear Ate Goomba, Yvain, Harry Potter, Hunger Games, The Great Divorce, God’s Grandeur.

BH: Twilight didn’t make it into your Top Ten, but we both admit we enjoyed it. What, exactly, is so compelling about that Twilight series? Why are these books so popular, in your opinion?

MC: Stephenie did something real special and it took her like a whole month. She tapped into something that was important to young women and made it interesting to young men. She took elements of comic books (which is why it translated so well to graphic novel), Fabio, and Mythology and made it her own. She didn’t follow rules, and she didn’t heed the pressure to omit her beliefs, i.e. her morals. I don’t think it was the best writing in the world but I loved it and I respect what she did… except for the huge let down in the end. That pissed me off but since the plot was ripped off another story what can you say?

BH: What is the best writing advice anyone has given you?

MC: Write down what you are feeling now matter how silly it sounds. It will make sense to everyone.

BH: Why do you want to be published?

MC: I would like to be superficial and say it is to finance my laziness but the truth is I want to be able to talk about it with someone, someone who liked what I wrote and who wants to talk with me about it.

BH: Who is your real-life writing role model? [Hint: the answer should be someone you grew up with. Who maybe lived down the hall from you. She had a pink room for a few years. And a cat named Apricot.]

MC: C.S. Lewis, Stan Lee, and Patrick F. McManus. I hate to admit but my sister’s love for all things academic never made sense to me as a child. I get it now and all those years may have rubbed off on me a bit.

BH: Eh, that’s practically saying that your sister taught you everything you know. Any words or advice to other writers for keeping the hope alive?

MC: Give up. The market is closed. You can’t do it.

BH: Hmm. Yep, that’s my brother.

Thanks, Matt, for the fun interview!