Sellout by Ebony Joy Wilkins

The set-up: After a horrifying onstage experience, NaTasha, the only African American in her suburban school, decides to spend a few weeks with her grandmother in Harlem, where she’ll volunteer at a crisis center for girls her age.

Main character’s goals: I don’t think NaTasha’s goal was entirely clear, at least not in her mind. At the beginning, she wants to escape her humilation. Throughout the middle I couldn’t find much of a goal except evading humiliation and bullying from girls at the crisis center. It’s at the end that NaTasha finally grows a backbone and sense of self-determination when her goal becomes clear (and now I can’t tell you what it is without giving you a big spoiler).

My reaction: The bullying was cringe-inducing. I could identify with NaTasha’s desire to be left alone, so every time she’s the center of attention and the object of hurtful words (or hands), I really felt for her. Then I was later thrilled with how she grew as a person and as a character.

Also, and I’m not saying this just because it’s Martin Luther King Jr. Day – I am white, and have not considered myself a minority (in most situations). Seeing NaTasha in her suburban town, trying to fit in with her peers, was eye-opening and took me to that place where you walk through the world in someone else’s shoes. No, this isn’t the first book I’ve read where the main character is not white. Far from it. It’s just refreshing sometimes, to get another perspective.

Of interest to writers: There are some big moments in the plot that Wilkins handles exceptionally well. The inciting incident is one of these, with NaTasha’s onstage embarrassment. Other big moments include a volleyball match, and a date at the end (can’t say more here, you know, spoilers. Sorry). If you want some solid examples of big turning points, study these.

Bottom Line: There’s a lot to be learned from this book, not just about writing, but about life.

Bad Apple by Laura Ruby

The set-up: Tola is a high school student, and she’s been named the victim of an affair with her favorite teacher. She insists nothing happened, but from the start of the novel she’s established as a storyteller (ahem, liar), so can we, the readers, or they, her family, friends, and the authorities, really believe her?

Main character’s goal: All Tola really wants to do is clear her teacher’s name so he can come back to his job. She’s got some other goals, though, one involving a hottie named Seven (who is so cool he needs his own book!).

My reaction: This was a light story, feel-good at the end. I’d probably sub-categorize it as “chick-lit” (what a stupid sub-genre name), but at the same time I really liked it. I got indignant on behalf of Tola, which is a pretty good sign that I liked her. Also, I should clarify that it felt really fluffy at the beginning, but as I got further into the book, I became more invested in the story, and it felt deeper somehow.

Of interest to writers: The unreliable narrator thing must be hard – at least, it sounds like a daunting writing task to me. But Ruby pulls it off, so consider this a shining example if you ever need one.

Also: at the end of each chapter there’s a little mini-chapter of “(comments),” quotes from various characters who give their own ideas about the affair. These little quips serve to shed some light on Tola’s situation and personality. They also serve to develop some of these side characters’ personalities.

Bottom line: It’s a fast read, satisfying, and has a compelling hook. The web of stories, lies, and hearsay kept me intrigued throughout.

To visit Laura Ruby’s very pretty website, click here.

A Blue So Dark by Holly Schindler

Set-up: Aura’s an artist, and artistic talent runs in her family. When her mom’s schizophrenic episodes start to peak and Aura is alone in caring for her, Aura begins to worry that schizophrenia runs in her family too. Believing art and mental illness to be linked, she starts to alienate herself from the one escape she has: her art.

Main character’s goals: Aura’s goals are quite different from your average teen’s: keep mom alive, contain mom, prevent mom from burning the house down. Her approach to these goals changes throughout the story.

My reaction: Ah. Big sigh of happiness. I’m really digging my sabbatical from series books, because the finished endings in my latest reads are so satisfying. The ending in A Blue So Dark was absolutely perfect. I wouldn’t have changed a word.

Of interest to writers: Literary fiction does not have to be slow or boring! The beauty of this novel is that although the prose is poetic and there are no werewolves ripping people to shreds, the tension is high throughout the book. Also, the epigrams at the beginning of each chapter were often quietly hilarious.

Bottom line: I don’t know how much attention this book has gotten (it was another random library shelf pull), but it deserves to be read. Spread the word!

Compromised by Heidi Ayarbe

Set-up: Everything Maya holds dear – her house, her belongings, her designer clothes, and her con-artist dad – are taken away when her dad’s crimes finally catch up with him. Maya is sent to Kids Place, an institution where children and teens wait for foster parents to take them in.

Main character’s goals: This is pretty straightforward. Find long-lost aunt. While this is a great goal in and of itself, the stakes are raised when a creep-nasty couple of foster parents plan to take Maya in. The couple is outwardly religious, but the man seems to only worship one thing: teenage girls. If that isn’t shudder-inducing enough, add the complex power struggles among the other children and teens in Kids Place.

My reaction: You know I hate stories that make me cry, and this one did. Grr. But it also had a very satisfying ending, and not in a sunshiny, “girl gets boy and lives happily ever after” sort of way. I mean, I love Disney fairy tale endings, I really do. But this felt real, and plausible, and even better.

Of interest to writers: Maya’s got a scientific and, actually, a very paranoid way of looking at the world. For every decision she makes, she creates a scientific-procedure to go with it. Here’s an example:

Purpose: Find Aunt Sarah.

Hypothesis: If I can find Aunt Sarah, I can avoid being sent to the Holy Rollers’ house.

Materials: Mom’s box, a backpack…

Procedure:

1) Get a Citifare Bus schedule… (p. 89)

These scientific procedures serve to underline Maya’s voice. They also reinforce her character as a scientific, logical smartypants. And – even better – they clue the reader in to her ever-plummeting situation (as if the various crises in the story are not enough…trust me, they are).

Bottom line: This is a well-crafted novel, with believable characters who will win you over and quite possibly break your heart.

This World We Live In by Susan Beth Pfeffer

Another random library shelf selection! Another success!

Set-up: This story takes place almost one year after an asteroid hits the moon, knocking it closer to earth, which causes all kinds of messes: earthquakes, volcanic eruptions, and a layer of ash that blocks the sun from view. Miranda’s family is just getting by, living in the sunroom of their home, with barely-there sustenance in the form of canned goods doled out by a city official.

Main character’s goals: Miranda’s biggest wish is for everything to go back to the way it was before the asteroid hit the moon. She wants a normal life. If she can’t have that, she at least relishes privacy whenever she can get it.

My reaction: I liked this book, although I wasn’t entirely happy with the ending. That’s more of a personal preference thing rather than a failing in the writing. I wanted something a little more concrete. Without giving anything more away, I will say that the ending fit well with the setting – the future is an uncertain place, especially in the world Miranda lives in.

I was totally into the raids they make on abandoned houses, scavenging for food, medicine, and toilet paper. Maybe because I’m always curious about what’s inside all the houses I pass on the street, maybe because I’m a scavenger by nature. Who knows. But it was fun to vicariously break in along with Miranda.

Also, I’m a little disappointed to find that post-apocalyptic fiction for young adults seems to be the new trend, now that sparkly vampires have fallen out of favor. That said, I really like post-apocalyptic stories, and I’ve liked them ever since reading George Stewart’s Earth Abides. So I guess I’m in luck with the wealth of post-apocalyptic fiction. Except that’s the genre I’m writing in right now, and I’d rather be creating a trend than trying to publish in an already-established one. But that is a rant for another time.

Of interest to writers: The diary format isn’t something I’ve seen in awhile…I haven’t even read an epistolary novel in a long time. Pfeffer does a good job of catching Miranda’s voice and making the diary believable.

I got total creepy vibes from one of the new additions to the family, and I felt Pfeffer could have developed that tension and conflict a little more than she did. This would have taken the story in a completely different direction, which is probably why she didn’t expand on that. If it had been my story….

Bottom line: This World We Live In is the third book in a series. (One of the downsides to random library selections is you sometimes jump into the middle – or end – of things.) I have already requested the first book from the library, because I want more from this author! I especially want to see how she handles the “beginning” of the end of the world.