I Heart You, Georgia

I haven’t yet reviewed an entire series on this blog, but it’s slooooow going through my current (snooty-sounding) read, The Grand Permission: New Writings on Poetics and Motherhood, so I’m stepping back in time here.

Last October, Louise Rennison published the last installment of her Georgia Nicolson series. The one with all the extremely weirdly titled books, the kind that are hard to ask book store associates about over the phone because they keep saying, “What? What? Can you repeat that? Can you spell that? Did you say ‘basoomas’?”

Yes, you did say “basoomas.” This is a series of ten young adult books featuring the hilarious heroine Georgia Nicolson, a young woman with very little tact and poise and very a lot of hormones and hijinks. She blunders her way through manipulating her parents, butchers French and German phrases on a regular basis, has a huge case of potty humor, and alienates her friends and boyfriends with almost amazing regularity.

Georgia’s voice is the absolute best part of the books. The novels are written diary-style (I’m sure there’s an academic term for that kind of novel, but as Georgia would say, “Qu’est-ce que c’est le point?”). Her adoption of French and German phrases, as well as her clique’s slang creations, only add to the humor. Add that to the run-of-the-mill linguistic differences between the US and British lexicons, and you will need the glossary provided at the back of each book. But unlike a textbook glossary, you will enjoy reading it, because Georgia is just as funny there.

The girl has her flaws, though. She’s self-absorbed, disrespectful, and can be cruel to her friends on occasion. She makes bad choices. She buys too tight shoes. She spies on her nemesis, Wet Lindsay. She’s a boyfriend stealer. However, she grows, learns lessons, kisses a bunch of guys, and finally – FINALLY! – figures out the one who is right for her. (The last three books I was practically screaming at her as I read: “It’s ____! Stop messing around, you horny minx!”)

The series goes on a bit longer than it has to, and the last few books end on cliffhangers which is a Big No-No in my House Rules. [I should clarify: The very last book obviously does not end on a cliffhanger.] However, the books are funny, fast reads. Very light. They never fail to cheer me up.

If you’re interested in reading the series, here’s a list of the Georgia books in chronological order (US titles):

1. Angus, Thongs, and Full-Frontal Snogging

2. On the Bright Side, I’m Not the Girlfriend of a Sex God

3. Knocked Out by My Nunga-Nungas

4. Dancing in My Nuddy Pants

5. Away Laughing on a Fast Camel

6. Then He Ate My Boy Entrancers

7. Startled by His Furry Shorts

8. Love is a Many Trousered Thing

9. Stop in the Name of Pants

10. Are These My Basoomas I See Before Me?

For more information on Louise Rennison’s Georgia Nicolson books, you can visit the official website here. Happy reading!

NiFtY Interview with Jo Hart

Meet Jo Hart, a not-famous-yet author of picture books and a young adult fantasy work-in-progress. I met her through literary agent Mary Kole’s blog, and you can meet her here on mine.

Jo writes, teaches, moms, and lives in Australia. At the moment, we’re doing chapter-by-chapter critiques of each other’s manuscripts. The two of us have had great fun discovering grammatical, dialectical, and other linguistic differences between our uses of the English language. For instance, while I thought “mini-beasts” was a creative way to refer to toddlers, it is actually a widely-accepted term for bugs and insects in Australia.

And here…she…is!

BH: Tell me a little about your work-in-progress, The Wizard of the Middle Realm.
JH: It’s a YA fantasy novel about a 15-year-old girl named Katie. She loves to get lost in novels about wizards and magical creatures until she is thrust into the Middle Realm, a world not much different to the worlds in her books. Now all she wants to do is find a way home. Unfortunately the Middle Realm is a dangerous place and finding the one person who holds the key to her getting home will not be easy.

BH: When did you realize that you were a writer?
JH: Probably the day I learned to write, maybe even before then. I remember making a story book in kindergarten (which is what we call the year before starting school here), I had to get the teacher to write the words of course because I didn’t know how to write yet. Honestly I have always wanted to be a writer; I’ve always loved making up stories and creating characters.

BH: Where do you get most of your ideas and inspiration?
JH: Anywhere and everywhere. I get ideas from dreams, from sitting outside and observing the world around me, from an article in the paper, even books and movies can spark an idea. Take my current WIP: the world itself first came to me when I was walking around the farm with my dog, I would look at the cluster of trees and imagine a forest; the twins were inspired by two girls I went to school with; some of the other characters just spoke to me out of nowhere. I’ve always had an overactive imagination.

BH: Do you have a set writing schedule, or are you more of a “when the mood hits” kind of girl?
JH: I find it hard to schedule or write when the mood hits because I have two young children to work around. I usually take any opportunity I can when I have five minutes to myself (even if it means sometimes choosing writing over doing the dishes).

BH: AMEN on the dishes.

Katie, the main character in The Wizard of the Middle Realm, is a bit timid and lacks in the muscles department, especially compared to a lot of other popular heroes. However, she’s incredibly smart and resourceful. Can you compare her to anyone you know in real life?
JH: Katie’s actually based on me a little bit, what I was like as a teenager anyway. I was always the shy little bookworm at school, although I was a lot more sporty than her. I thought to myself, there are so many heroes out there who are strong and confidant, but what if the hero was just an average teen, someone shy and weak. I think it gives her more room for development as a character; and all the bookworms reading can relate to her.

BH: What does your writing workspace look like?
JH: I write on my computer at my desk usually (although occasionally I use my laptop). The desk is generally untidy, covered in papers and odds and ends (mostly things my children pass to me like books and toys). The desk is in the lounge room so I can type and watch the kids at the same time, it used to be by the window overlooking the garden, but at the moment it’s been shoved into a little alcove in the corner while we’re getting ready to move house (which is where it is in the photo).

BH: Your picture book story, “Can You Jump Like a Kangaroo?” was shortlisted in the smories (original stories for kids) contest. Was this your first short story, or have you written others?
JH: I love writing short stories and children’s stories and have written many in the past. I have a couple of short stories posted on my blog actually.

BH: What is your experience like, balancing writing and motherhood?
JH: It can be hard to balance sometimes. I would love to be able to get lost in my story whenever the mood hits, but my kids are my priority so that doesn’t happen. My youngest naps in the middle of the day, so I usually take the opportunity to write then. My eldest has lunch and plays quietly in the room with me and I eat lunch at the computer while I write. Then if I’m not too tired after they go to bed I do some more writing then. I work as a substitute teacher too, so some days I don’t get any writing done at all.

BH: What is your favorite YA book of all time?
JH: John Marsden’s Tomorrow series (the first book is Tomorrow When the War Began and they’ve just made a movie from it). I first read the series as a teenager and loved them (as did every other teenager I knew back then, boys included). John Marsden has a great talent for writing YA, I used to read all his YA books as a teen and even once got to meet him! If you’ve never heard of him, check out his website. I highly recommend all his books.

And then there’s the Harry Potter series by J.K. Rowling, which I first read as an adult, and fell in love with right away. For me it’s a close competition between Marsden and Rowling.

BH: How about your favorite book on the writing craft?
JH: Kate Grenville’s The Writing Book. It was actually one of the prescribed texts for my Writing major at university, but unlike most other textbooks I had to buy and that ended up in a cupboard never to be read again, I keep Grenville’s book close by my computer as a valuable resource. There are some great writing prompts and activities in there that I even use in the classroom sometimes. It has great advice for all aspects of the writing process from character to dialogue to description. You can check it out here.

BH: Why do you want to be published?
JH: I think it would be amazing to walk into a bookstore and see a book I wrote sitting on a shelf with my name emblazoned across the jacket. It’s always been my biggest dream to be a published author, for my words and ideas to be immortalised in print and live on after I’m gone.

BH: Lately in the publishing blogosphere there’s been a lot of talk about how to craft a good setting for a novel. Because you’re writing a fantasy, I’m wondering what sort of challenges you’ve faced with the setting in your novel, and how you have worked through them.
JH: I suppose the biggest challenge would be conveying the image I see into my head onto the page so the reader can see the world the way I envision it. Of course every reader will interpret and see the world differently, but I want them to get a general sense of the world. Like in the woodland scene in the beginning I want to convey a place that feels lifeless. Usually when I’m describing a setting in my novel I close my eyes to get a clear picture in my head. As I write I think about not just what my characters can see, but how the bark feels on the trees, what smells are in the air, what sounds they can hear. It’s more than just painting a picture with words; creating a setting is about getting the reader to experience it as though they were standing right there alongside your characters.

BH: One thing you do especially well in your writing is convey suspense through narration. Do you have any tips for other writers on how to do this well?
JH: Use the five senses. Get into the main character’s head and imagine yourself in the same situation, what sounds, sights, scents, etc. would make your heart beat faster? And use short sharp sentences, but make sure they vary in length so they don’t become monotonous.

BH: What is the best advice anyone has given you with regards to your writing?
JH: Show, don’t tell. It’s my writing mantra.

You can see a video of a very expressive girl reading Jo’s story “Can You Jump Like a Kangaroo?” here. And for more info and insights into Jo’s life and writing, you can visit her blog.

Thanks for the interview, Jo!

The Forest of Hands and Teeth by Carrie Ryan

It sounded like a werewolf story to me. And something about the cover art reminded me of Annette Curtis Klause’s Blood and Chocolate:

Hmm, now that I look at it, why don’t we throw Fallen (Lauren Kate) up here?

Lots of unhappy girls’ profiles.

A likeness of my main character will be grinning like a cheesy idiot from the cover of my book if/when it’s published. Because I hear authors totally get their say in cover art.

Yes, yes, this is actually a book review. You know I get side-tracked. By my own brain.

As I was saying, I thought this would be (another) werewolf novel, but no! It’s a post-apocalyptic zombie story! Way cool. A risk with zombies is they end up totally ridiculous (brain flashes to Shaun of the Dead). However, I was pleasantly surprised. Mary, the main character, begins her story with the statement, “My mother used to tell me about the ocean.” Mary has lived her entire life in a fenced village surrounded by wilderness inhabited by zombies, or, as the Sisters (the ruling religious sect of her village) call them, “the Unconsecrated.”

Right away I started making connections to M. Night Shyamalin’s film The Village. While there are a striking number of similarities, I was able to forget them as the novel progressed, because as Mary’s story developed it moved further and further away from The Village.

Besides, Mary’s character is so fascinating I sometimes paid more attention to her than to the plot. I mean, here is a character who has some pretty distinguishing personality flaws, yet I can’t help but love her anyway. She is selfish, obsessive, and utterly winning. The sequel to The Forest of Hands and Teeth doesn’t feature Mary as a protagonist, but I hope she plays a major role.

Not only was the heroine awesome, the writing was lovely! Who knew a zombie story could be so beautiful? The language in this book is so lyrical, the voice so dark, so perfect for the story. I am a sucker for lyrical prose (Roy’s The God of Small Things and Ondaatje’s The English Patient are forever-favorites of mine because of their language, even though the stories are dead depressing and rival Nicholas Sparks’s sob stories for potential in creating tear-filled oceans. But I digress). This novel was not a gory romance teeming with the walking dead. Okay, so it was. But it was so much more than that because of the poetic flow of the language.

Like Maggie Stiefvater’s Shiver, The Forest of Hands and Teeth proves that a romance-driven horror story can go beyond the romance and horror if it has memorable characters and simply beautiful prose.

That said, I’m taking a break from YA literature with fantastical elements. I am so saturated in this genre that I’ve started to get pruny, and it’s time for some fresh bathwater. I read a couple of middle-grade books last week, so maybe I’ll review one of those next.

Not My Daughter, You Bitch! (Swearing in YA Lit)

So I’m jumping on this subject bandwagon pretty late. I spoke with literary agent Mary Kole about this issue at a conference in April, and apparently it was a popular topic, because she wrote a blog about it. Because so many people feel strongly about this issue, I figure I may as well use my platform and voice my opinion. This is my website, after all. What would it be without a spewing forth of Beth’s Opinions?

When I think of “bad” words in young adult literature, so many things come to mind. There’s the famous line from the last Harry Potter book (see title above) that shocked Potter fans. In this case I think the word was so shocking because the series started out as a middle-grade series, and then matured along with the characters. Who would even imagine reading the word “bitch” in Harry Potter and the Sorcerer’s Stone? Another reason for the shock factor: Rowling’s books had so little profanity in even the later books, and this says something for her skill as a writer. Voldemort didn’t need to drop an F-bomb to cement his villainy because he was so evidently evil in reputation and action. Ron used the word “bloody” on occasion, but this barely registered with American readers. Uncle Vernon said something about “effing owls” once. So the “bitch” in the final book was so unexpected. It didn’t really fit. I can see why Mrs. Weasley would be driven to use it, but if I’d written the book, I’d be super-rich and would have invested some time in finding an alternative.

I don’t have a single problem with profanity in young adult literature. I wouldn’t necessarily let f-bombs explode all over the place in my own manuscript, but they didn’t stop me from reading Lisa McMann’s Wake series. Cursing sounds pretty natural amongst the young adult set. Not all of them, mind you. (Although I admit surprise to some of the things I saw on former students’ facebook posts. Not all are as innocent as they seem. Frightening for me, as a mother.)

My own manuscript had exactly four f-words for awhile, and they didn’t bother me spaced out and spoken by college-aged characters. When I did some snipping (okay, I lopped off the first 50 pages) and had to move some conversations around, all of a sudden three of those f-words appeared in the first chapter.

Not the sort of set-up I had in mind. I don’t expect every book to have universal appeal, but I knew that three f-words in the first chapter would turn a lot of people (parents especially, who often buy the books) off. With some ideas from a critique partner I was able to change two of them. The other one is just too natural to the character speaking, I am convinced no other word will do.

And that’s when a swear word belongs in your manuscript. When it’s true to the character and no other word will do.

Feed by M. T. Anderson

That’s the problem with literary fiction. It makes you feel.

And that’s what Feed did to me, and I actually sort of hate it for that. I don’t like sad stuff. I don’t like it when the dog dies, and I don’t like waves of hopelessness crashing into the beaches of my brain.

So, thanks a whole effing lot, M. T. Anderson. [Don’t worry, the dog doesn’t die. There is no dog, because Feed takes place on an earth where animals can’t even live anymore. All the dogs probably died way before the story begins.]

Okay, in all seriousness: Feed was amazingly written. I already heard literary agents praise its voice, so I was totally paying attention to that. I’m also really big on unique idioms and slang for unique worlds. Apparently Anderson is really big on this too, because in a couple of places the slang was nearly indecipherable. In fact, I’m still unsure of whether a “youch” girl is good-looking or just the opposite.

*vague spoiler alert*

But did it have to be so bleak? I mean, come on. There was like the barest note of positive at the end—the smallest straw of positive—so small I could barely grasp it—and the entire time I’m reading I’m quoting T. S. Eliot in my head (which you know is a bad sign):

“This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.”

Let me emphasize that my discomfort with this book is more about me than the book itself. As I said, the writing’s great, as is the story. It’s just my own preference is for something a little lighter that doesn’t have me reaching for the Prozac after the story ends.

The whole thing with the lesions: disgusting.

Funniest part: the beef farm. But I had to stop eating my breakfast while I read it.

Saddest bit: disposable table. Okay, that’s not really the saddest bit, but it was pretty sad. Just, the state of the world, that people not only dine on disposable dishes, but they throw their table away at the end of the meal.

Am I glad I read it? Yes. Will I buy the book to enjoy again? Not a chance. I prefer my happy endings, thank you.