The set-up: Andi has been too busy grieving and losing herself in her guitar music to take the time to start the thesis required for graduation from her private school. When her dad discovers how bad Andi’s situation has gotten, he whisks her off to Paris (poor Andi) to make her get to work (Paris, but with homework? Really, this time, poor Andi).
Main character’s goals: Andi wants to go back in time, to save her brother. The loss of him is too much for her (she escapes into her music and her antidepressants), it’s too much for her mother (she escapes into her painting and periods of catatonia), and it’s too much for her father (he up and leaves the family). I would say at the start of the story, Andi doesn’t have much of a goal, but once she’s in Paris her goal is to get back to her mother. Then she finds an old diary, and strange things happen.
My reaction: This was a book to savor. I wasn’t rushing through it, trying to reach the end, but I did want to hang out with Andi for awhile, hear what she had to say. And I’m still divided as to what really happened (we have a bit of an unreliable narrator going, what with the substance abuse, so the last half of the book is…a little different. I don’t want to spoil anything by saying more).
Of interest to writers: I really have a hard time with epistolary novels. If you want to incorporate a diary, or letters and notes or emails, then you had better do it well. Otherwise, I will hate your book. Aim for what Donnelly has done in Revolution, or what Jaclyn Moriarty does in The Year of Secret Assignments. For an example of what NOT to do… That is the sound of me biting my tongue. I am trying to be kind here. If you really want to know what I read recently that had a sucky diary thing going, send me an email.
Bottom line: So. This book is awesome.