Pitch Tips

After judging entries in the fabulous Deana Barnhart‘s Gearing Up to Get an Agent Contest, I came away with some strong ideas on what I think makes a successful pitch. This is not a comprehensive list, just a few things I thought about as I was reading/judging.

Voice: While writing the pitch from your character’s point of view is considered a no-no, I enjoyed the pitches that gave me a sense of the character’s voice. Think word choice and careful descriptive details. Too much voice in the pitch can sound gimmicky and annoying, so write with care.

Stakes: I loved the pitches that included not only the character’s goal, but what might happen if he failed. It didn’t have to be specific, but if it was, all the better. Here’s an example from my own pitch: “…Amalia has one month to restore the powerful twin magic fueled only by their connection. If she fails they will not only lose their powers, but their freedom, and ultimately, their lives.”

Character: The pitches that really stood out gave a strong sense of the character. What is the character like, and how might she change, given the high stakes she faces?

Length: Remember it’s a pitch, not a synopsis. I heard people bandying about the “rule” that a pitch should only cover the first fifty pages. It might be a good guideline, to cover the set up through that first doorway. It often seemed like pitches that tried to cover too much more of the story grew cumbersome and confusing because subplots started getting in the way.

Some things that concerned me: Typos, grammar/spelling errors, and sentence fragments. A pitch, whether it’s going straight to an agent or making stops on blog contests, should be proofread multiple times, preferably by more than one person. While we all fall victim to typos, and I doubt one in a query would kill chances with an agent, I don’t know…I think we should try really really hard to get our pitches as perfect as possible.

Or: You could, you know, skip the querying altogether and enter Miss Snark’s First Victim’s 2012 Baker’s Dozen Agent Auction. Authoress just listed the agent line up here! I participated last year. It was a blast, although, yes, there was all kinds of anxiety and nervousness. But I met some great writer friends and got excellent feedback on my log line and first 250 words.

NiFtY Author Donna Cooner

I met Donna at Katherine Longshore’s book launch, after I’d been stalking following her and her fellow muses via the YA Muses blog. Her debut young adult novel, SKINNY, will be released this coming Tuesday, October 1st, and I’m thrilled for her, and can’t wait to get my hands on that book!

BH: Welcome, Donna! I am so looking forward to reading SKINNY. What was the biggest joy of writing the book? What was the biggest challenge?

DC: My biggest joy in writing this book has been the personal connections people seem to have with the story.  Readers have shared some amazing struggles with self image and many of them have nothing to do with weight.  I love the fact people are able to relate to the story in so many different ways.  The biggest challenge for me was just completing the story.  My full time job as a  university administrator is hectic and time consuming, so finding time to write is always difficult.

BH: I heard from a little bird (or two birds) that SKINNY wasn’t your first choice of a book to work on. Can you share why it was more difficult to commit to this one than the other ideas you had?

DC: This book is incredibly personal.  In many ways, that made it a difficult choice to write.  I’ve tried to avoid the topic of obesity all my life.  The thought that I was actually going to write about it for the whole world to see was terrifying.  It probably would have been much easier to work on something that wasn’t so close to my heart, but I also think that’s the very reason it connected with readers.

BH: If you had a daughter, which of Ever’s attributes do you wish she shared? Which ones would you never want to see her display?

DC:  Ever is a talented singer. I would definitely hope any child of mine would be involved in the performing arts in some way.  Singing solos in church and performing in school musicals as a choir member gave me the self-confidence to be in front of people.  I learned to prepare well, practice, and perform under pressure.   As an adult, I still draw on those skills today when teaching and speaking to groups.

Ever is so extremely self-absorbed and self-critical that she almost misses out on some fantastic opportunities and potential friendships. Her journey is all about learning that lesson and coming to some positive realizations about herself.  I would hope my daughter wouldn’t have that same, so so difficult, struggle.  Reflection and introspection might be good for writers, but there definitely needs to be a healthy balance.  Especially when you are a young adult.

BH: Do you have a new project in the works you can tell us a little about?

DC:  It’s a little too early to talk about yet, but there is definitely a book two in the works.    It’s not a sequel to SKINNY, but will be set in the same Texas town.  You might even get to see Ever and Rat again.

BH: What does your workspace look like?

DC:  I have a second floor loft in my house that is my study.  My cat, Stu, tries his best to get in between me and the computer screen (see picture).  Roxanne and Cassidy, my chocolate labs, are usually lying on the floor near my feet.  The wall is adorned with notes and scene cards for my next project.  I also tack up pictures from teen magazines to represent what I think my current characters might look like.

BH: What is your favorite book on the craft of writing?

DC:  Bird by Bird by Anne Lamott.

BH: Any words on advice to aspiring writers for keeping the hope alive?

DC: SKINNY is my third completed novel.  If anyone had reasons for giving up, and not writing book three, it was me.  But the story was there.  Waiting.  And so was this amazing journey.   I’m just so grateful for good writing friends who encouraged me when I most needed it or I would have missed it all.  Don’t give up.  Write your stories and keep writing your stories.  You never know what might be waiting for you just around the bend from your next “The End.”

BH: Thank you, Donna, for visiting and sharing about SKINNY and your writing adventures. For more on Donna and her writing, you can visit her website by clicking here. You can read the first chapter of SKINNY by visiting the YA Muses Blog here…and you can buy it on Tuesday!

Adventures in Outlining!

I’m a total plotter. In the end, I might stray from my bulleted plot outline. New characters pop up like gophers from their little hidey holes in the ground. But I like knowing where I’m going. And what I’ve been using most lately is Blake Snyder’s Beat Sheet. It’s a ton of fun, and great practice for plotting story. I like to fill one out for Shiny New Ideas that may or may not go anywhere, because, like writing the pitch ahead of time, it’s great practice.

For some writers, this Beat Sheet thing is old news – but a few months ago I’d never heard of it, so I’ll share it here in case there’s someone else who hasn’t heard of it. Basically, screenwriter Blake Snyder evaluated gazillions of films and came up with a “formula” or road map, or, uh, beat sheet that outlines the common scenes, or beats, of a screenplay. Movies and books both are fundamentally stories, so these beats can be adapted very easily to novels. And it is A BLAST not only applying these beats to my own brainstorming, but evaluating some of the crappy movies we find on Netflix streaming (we’ve watched all the good ones that appeal to us). I’m starting to (starting to?) annoy Homes with comments like, “It’s been fifteen minutes and we haven’t even left the Ordinary World!” or “Ah, yes, the false high midpoint. I know these.”

The beauty of the whole beat sheet is I can overlay it with Christopher Vogler’s The Hero’s Journey (an abbreviated, simpified Wikipedia version can be reached here), and it still works. Because story is, for the most part, universal.

You can download Blake Snyder’s Beat Sheet for free, here. Really, though, a look at the book is recommended. He shares many great ideas about story and market and even genre.

There’s your unsolicited advice for the day! It’s good for you. Like vitamins.

Friday Five!

1. Starting in October (or next week maybe – I like to keep you on your toes), this blog is going down to one post per week. There isn’t time to write two to three posts per week, on top of everything I want to do with my fiction, on top of, oh yeah, real life family and friends. So what do you think? Wednesdays? Fridays? Any preferences?

2. Next week I’ll be judging pitches in Deana Barnhart’s “Gearing Up to Get an Agent” Blogfest/Contest. I get to use a secret code name and everything. I’ve never been a judge before, for, um, anything, and it’s thrilling to be able to help other writers like this! Last night we had a Twitter Question & Answer session (#GUTGAA hashtag), which was a lot of fun and I got to feel totally helpful even if I wasn’t.

3. I’ve heard the phrase “go big or go home” in three different places this week. Maybe it will become a Thing, like “NOT!” so long ago, or my favorite of this year, “just sayin’.”

4. Why do babies fight their naps? Because I would pay very good money to have someone put me in a crib all by myself to sleep for up to three hours. Just sayin’.

5. Tomorrow! Tomorrow is exciting for two reasons. The first is that I will be getting an actual hair cut for the first time in two years. This is not nearly as exciting as the second thing – Talia Vance‘s book launch! 4 pm at the Avid Reader in Davis. In addition to Talia speaking about her debut novel, Silver, authors Katherine Longshore (Gilt), Veronica Rossi (Under the Never Sky), and Donna Cooner (Skinny) will be there to speak about their books as well! It’s going to be a blast. Wear silver nail polish! Go big or go home!

Too Many Notebooks

You might as well face it, you’re addicted to notebooks.

I remember being nine and putting “notebooks” and “diaries” on my birthday and Christmas wish lists. We’d go to the drugstore and I’d salivate over a pink, three-subject, college-ruled, spiral-bound notebook (still have that, although the cover came off). And I’ve rhapsodized about old diaries here.

But now, as I outline Books 2 and 3, as well as craft pitches for various ideas I’ve had over the last year, I’m finding old ideas everywhere!

The problem with this, is that the reverse is also true: I can’t find anything! A few days ago (and I posted this on Twitter), I said to Homes, “Where is that prophecy I wrote?” His response: “In a big vault, with rows and rows of other prophecies, trapped in spheres.”

I never should have made him read Harry Potter.

There’s a line in Zero Effect that goes: “Now, a few words on looking for things. When you go looking for something specific, your chances of finding it are very bad. Because of all the things in the world, you’re only looking for one of them. When you go looking for anything at all, your chances of finding it are very good. Because of all the things in the world, you’re sure to find some of them.”

So true.

Clark thinks it’s too many notebooks, too. She bats at them in disapproval.

So what do I do? Something must change because I’m going bonkers trying to find pitches I may or may not have written months ago, and prophecies I apparently didn’t write months ago (because I read through six months’ worth of diary angst, obsession, and drivel, and never found the stinkin’ prophecy), and random scraps of ideas and half-formed Blake Snyder beat sheets. Maddening, I tell you.

And I LOVE Scrivener and always will, but there’s something grand about opening a notebook and jotting down ideas. There’s no screen involved, and my eyes thank me for that. And I can curl up on the couch more easily. It’s peaceful.

So…maybe limiting myself to a set number of notebooks? Say, seventeen?

PS: In the middle of writing this post I went to Target and bought two more notebooks. It’s a disease. I rationalize the purchase by exclaiming, “Back to school clearance!” but in truth, disease.