NiFtY Interview with Josh Fernandez

Kato Peruses an Author Contract (Oh if only my Clarkie could do the same!)

For my second-ever Not-Famous-Yet Author Interview, here is Josh Fernandez. He’s an amazing writer with a hilarious, irreverent voice, and he has a book of poetry coming out this fall. It seems I’ve snagged him for this interview just before his jump into fame. Okay, so publication does not equal instant fame. For instance, I, like many other people, still have no idea who wrote that weird Twilight book.

BH: What’s your one-paragraph pitch for Stickup Kid?
JF: Buy it or I’ll murder you! No, it’s an exciting little story about a small half-Mexican, half-Caucasian kid named Bear who lives with his mom in Brookline, a very Jewish suburb of Boston. One day Bear separates from his class while they’re on a field trip and he meets a man named Stoop. Bear runs away from home and finds Stoop, who takes him in and teaches the naïve boy about his Latin heritage, but he also teaches him the art of being a stickup kid—a purse-snatcher, a robber, a thief …

BH: You’re one of the few people I know who actually makes a living from his writing. What do you write to pay the bills?
JF: I write mostly arts and culture stories. I write for Spin.com, Sacramento News & Review, Boulder Weekly and some other papers that are scattered throughout our glorious country.

BH: How do you think your nonfiction writing influences your fiction, if at all?
JF: Non-fiction writing has helped me write fiction in a number of ways. It’s really helped me find a voice. My goal when writing for newspapers isn’t to be a solid journalist; my goal is to simply entertain the reader. I get a lot of hate mail. News writing has also helped me find the focus of whatever I’m writing. Nobody wants to read a long, blathering story, except for my grandpa. But he could barely read. And I think he was just pretending to read, trying to escape my grandma. RIP, gramps.

I also write poetry, which helps with everything except for money. Although, I just signed a contract with R.L. Crow press. They are going to publish my first full-length collection of poems, tentatively titled Dancing to Genocide. It should be out in the fall.

BH: What is your writing schedule like?
JF:  I’ve never really had one until I started writing Stickup Kid. I’d kind of just write when I felt like writing, which kind of ended up being all the time. But for the novel I got up every morning at 8, went to the coffee shop and wrote until 2 or 3. It was important that I did that because I have a tendency to stay in my underwear all day and watch YouTube videos of high school kids getting hit in the nuts with various objects.

BH: Voice is one of the aspects of Stickup Kid’s beginning that I admired the most. It’s also a quality all writers are after, and something which confuses many beginning writers. Do you have any tips to share on how to cultivate voice?
JF: I think basically you have to just have a voice. Sometimes I teach a writing class at Sacramento City College and I ask the students if they ever have thoughts that pass through their heads that they’d never tell anyone because they seem weird or sick. They always say “Yes.” Then I tell them to take those thoughts, write them down and then throw away everything else. And then they don’t say anything. Because they’re all asleep. Because I’m really boring. The point is, you just have to be unafraid to grab the core of who you are and put it down on a page. Nobody wants to read the outer part of you that’s been influenced by the outside world. That’s already been done. People need to read the inner you. That’s very new age. I learned that from Yanni.

BH: Your blog title “I Know, I Hate Blogs Too!” just begs me to ask what it is you hate about blogs. So, what do you hate about blogs?
JF: I don’t hate blogs. I just hate bloggers. Ha! I am a blogger, so what does that say? Really, it’s just the journalist in me that hates the idea of people who don’t get paid taking our jobs because they offer their blogging service for free. There’s so much bad journalism now because of this idea that “anyone can be a writer!” It’s the same with self-publishing. Anyone can say, “I’m a published author!” and then be a writer, while the rest of us who are actually trying to write stuff that people will read get left in the dust. Basically, I’m saying “Waaaaah!” But in more words.

BH: Since I started my own website/blog, I discovered roughly 167,738,744 other writer blogs and websites. Are you an island or do you frequent anyone else’s?
JF: Oh I read blogs all the time. I kind of just cruise around to see what other people are doing. I can’t really think of any off the top of my head, though.

BH: Can you compare Bear, the main character in Stickup Kid, to anyone you know in real life?
JF: I based a lot of Bear off my own life. And I took parts of friends from childhood and put them into his character. There are a lot of things that happened to me that also happened to Bear. All the good, heroic things were me. The horrible and twisted stuff was, um, my friends. Yeah.

BH: What does your writing workspace look like?

JF: Pictures! We have a spare bedroom that we made into an office. It’s good to have an office without a TV. I’d never get anything done with the possibility of Judge Judy lurking nearby.

BH: What is your favorite book on the craft of writing?
JF: I really like Robert Pinsky’s The Sounds of Poetry. It allows you look at words in an entirely new perspective. The first time I read the book it made me a little insane. I had no idea words were that delicate.

BH: Last we spoke about it, you were revising Stickup Kid with an agent’s guidance. Where are you in the process? Have you signed a contract with that agent?
JF: I’m editing it right now. When I’m done I’ll hand it over. They want the cleanest copy I can make. After that, if they like it, which hopefully they will, actually, I don’t know what happens after that.

BH: How did you & the agent originally connect?
JF: Luck! I set up my website and one of their interns happened to click on it. He read the part that mentioned I was writing a book and he told me to send the first 20 pages. So I did.

BH: What is the best writing advice anyone has given you?
JF: It was something about a bow. It was like: make your paragraph like a bow, tight enough so that when you pluck it it will resonate with the perfect pitch. Crap, no, that wasn’t it. I get a lot of great writing advice, but then I forget everything. My mind is small.

BH: Do you “tweet”?
JF: Yes. I was totally against it, but then I realized that it was another way to get my stories out there so I’m getting used to twitter.

BH: Why do you want to be published?
JF: That’s a great question. It’s all a blur now. I’ve been mulling the story of Stickup Kid in my mind for so long that I just wanted to get it out. I really like the story and I honestly think that other people will like it. I like to write stuff that I like to read. I kind of want to see if other people like the same stuff that I do.

Here's the feature image without Josh's forehead cut off. I spent at least an hour trying to fix the feature image. Sorry, Josh. Love the bunny.

BH: Any words on advice to other writers for keeping the hope alive?
JF: Writing isn’t a very hopeful profession. I think it’s a great hobby, but there’s a lot of heartache and rejection in the world of writing. I am the kind of person who expects to be rejected, so when I’m not I feel like I’ve tricked someone. It’s great. Not all people are like that, though. A lot of people expect to be published and expect people to gush over their writing. And when they don’t get published they blame everyone else. It can’t be like that. You have to pay a ton of dues, and when you’re done paying dues, you have to stand there while people dangle pink slips in front of your face that say “We’re sorry, Mr. Fernandez, but we regret to inform you that your story isn’t what we were looking for …”.  Man, that was like the least hopeful thing I’ve ever said. Sorry. I’ll just say: Keep the hope alive!

There you have it, folks! Words from very-nearly-famous author Josh Fernandez. When he’s famous he’s promised to get us all book deals with his amazing influence. Not really. I’m promising that for him.

Thanks again, Josh, for the interview!

You can check out Josh’s website by clicking here.

Black Magic Sanction by Kim Harrison

The first book of Kim Harrison’s I read was Every Which Way But Dead. And I was blown away. Like Kelley Armstrong, Kim Harrison was one of the first women in the horror genre to actually get my attention. Yeah, Laurell K. Hamilton got my attention too, but the first book of hers I picked up was Cerulean Sins, and it got my attention more in the way a train wreck gets a person’s attention. Or, perhaps more accurately, in the way unexpected and distasteful pornography gets a person’s attention.

Kim Harrison made urban fantasy cool. Her world is so real, from the descriptions of all the Inderlanders (nonhumans) mingling with the humans, to the church her main character, Rachel, lives in, to the very idioms used by her characters. It’s such a thoroughly written setting that I feel like I could live there. Black Magic Sanction keeps the world alive. The characters, the creatures, everything is there.

***weak spoiler here…close your eyes, D-Chan***

Holy. Elf. Can you believe she makes herself pixy-sized and gets to see the inside of Jenks’s house/stump? I would read the whole book again just for that one description. This is where Harrison absolutely impresses me, because I never would have even explored the idea of going inside the pixy stump. I mean, Rachel is a human (well, a witch, but human-sized. You know what I mean), and way too big. But in this novel she has to get inside, for reasons I won’t divulge, and wow.

***spoiler over…you can open your eyes now***

The only problem I had with Black Magic Sanction was the issue most longer series get into: too many characters. There are so many memorable people in Rachel’s world, and that mirrors life exactly, because we all interact with many people on a daily or weekly basis (unless we are introverts who finally get our wishes and just get to stay home for a few days. Without toddlers. But I digress). This is where literature should not mirror life, and Black Magic Sanction could have benefited from a smaller cast of characters.

I keep waiting to read a Kim Harrison book in which Rachel has simply gone too far in her journey, where she’s hit the limit of her character growth and there’s nowhere else for Harrison to take her (again, not trying to rip on LKH, but see what Anita Blake is doing? If you do, you’ll understand why I get a little skittish once a series gets past book 5 or 6).

That hasn’t happened yet. Rachel is still learning and growing, and I’m thrilled to watch it all happen.

For Kim Harrison’s blog, click here. For her website, click here.

A Certain Slant of Light by Laura Whitcomb

A Monday Book Review

“Except for the librarian and a couple of mice, I spent more time in the school library than anyone” (40). Oh dear. Not another YA novel where the main character loves the library. But I’ve ranted about this before, so I’ll resist the impulse to do it again.

Because the majority of this book review is spent on a total tangent, I will say here that A Certain Slant of Light is an enjoyable read. The idea of two ghosts borrowing the bodies of two troubled teens and falling in love is the sort of plot hook that allows me to forgive the library-loving protagonist issue. The writing is quite beautiful in places and…I cried at the end. A Certain Slant of Light has more poetic prose than a typical commercial fantasy novel, which was pleasantly surprising.

That said, I can now jump into my rant. (Not about libraries.)

I am quite baffled as to why this novel is marketed as YA fiction. The two main characters are adults, although ghosts. Helen was 27 when she died, and has been a ghost for 130 years. James was 29 and has been a ghost for 85 years. That gives each character over a century of experience in the world! Just because they are “borrowing” two teenagers’ bodies does not make them teenagers, and some of their actions, as well as the main character’s thought processes and (prior) life experiences, place this book completely in the realm of general (adult) fiction. I wonder if young adults were the original audience Whitcomb had in mind.

But perhaps I approach this in the wrong way. Young adult fiction doesn’t have to feature teenagers as the main characters…although honestly I’m having a hard time coming up with examples which do not feature teenagers. Anything with animals? I would argue that  The Warriors series by Erin Hunter (starring cats) and The Underneath by Kathi Appelt (populated with all manner of animal characters) are more middle-grade fiction.

YA literature has to be something young adults want to read. But now I’m puzzling over the distinction, because some teens love “adult” books too. And with the YA market attracting more and more adults (for the LA Times article about this, click here), the distinction is problematic.

Can anyone come up with examples of YA books that do not feature a teen as the main character? Extra points if you think of one that features a main character over the age of 20.

For more information on Laura Whitcomb and her writing, you can visit her website by clicking here.