Keeping Ahead of Trends in YA Lit

Weekend Writing Special

You’ve finished the first draft of your young adult manuscript. It’s new! It’s got a great hook! Nobody has done anything like this before! It’s a reality-television-show-to-the-death featuring vampire-esque aliens. You imagine literary agents begging, no, clamoring, for your manuscript. Your idea is The Newest Thing.

Until, a few weeks later as you’re hard at work on revisions, all of a sudden everyone has done this. And their books are being published Right Now. That author of Twilight (whose name I keep forgetting) does a horror reality television show novel. Suzanne Collins has something with alien-vampires. J. K. Rowling creates a Harry Potter spin-off featuring vampires who run a television series about aliens.

My personal experience with this is not nearly as extreme or ridiculous. I had this idea for a future, post-apocalyptic setting for a novel, and I dove (dived?) right in. Minutes later, I read The Hunger Games. Then The Forest of Hands and Teeth. Then, while reading Publishers Lunch from Publishers Marketplace, I found two other post-apocalyptic YA trilogies due out in a year. How can I compete with that?

I can’t. Not as far as the general idea goes. No one can. In a lot of ways, we are all tuned into the collective unconscious. We read many of the same books, watch the same movies and television shows, hear the same news stories, and on and on. My hook has to be more than “post-apocalyptic” etcetera and so forth. An intriguing story idea can do a lot…

…but an awesome character does so much more.

An author friend of mine was worried about this a few months ago, as was I. We’d just finished revisions on our manuscripts (we thought) and we were ready to embark on our new projects. “I’m thinking vampires,” she said. “But it’s been done, you know?”

I did know. I wrote one. And then I told her something I should pay attention to myself: if the characters are memorable and compelling, it doesn’t matter what the setting is, or what creatures they are. Vampires, werewolves, telepathic fairy-kin, selkies, were-amoebas. After all, we’ve read contemporary fiction featuring regular old humans for…hmmm…just about forever. Humans? Regular people? In a regular setting? How boring…not. Most of Sarah Dessen’s books feature teenage girls in the same little town in North Carolina. I’ve read every single one of them because her characters are fabulous.

So it’s not just another vampire book, or another post-apocalyptic zombie book, or another (sigh) werewolf book. It’s a real story featuring a compelling character who deals with an intriguing, gripping conflict. You don’t need to keep ahead of trends, or even worry about them, if you’re writing what you love and focusing on your own unique characters.

NiFtY Interview with Josh Fernandez

Kato Peruses an Author Contract (Oh if only my Clarkie could do the same!)

For my second-ever Not-Famous-Yet Author Interview, here is Josh Fernandez. He’s an amazing writer with a hilarious, irreverent voice, and he has a book of poetry coming out this fall. It seems I’ve snagged him for this interview just before his jump into fame. Okay, so publication does not equal instant fame. For instance, I, like many other people, still have no idea who wrote that weird Twilight book.

BH: What’s your one-paragraph pitch for Stickup Kid?
JF: Buy it or I’ll murder you! No, it’s an exciting little story about a small half-Mexican, half-Caucasian kid named Bear who lives with his mom in Brookline, a very Jewish suburb of Boston. One day Bear separates from his class while they’re on a field trip and he meets a man named Stoop. Bear runs away from home and finds Stoop, who takes him in and teaches the naïve boy about his Latin heritage, but he also teaches him the art of being a stickup kid—a purse-snatcher, a robber, a thief …

BH: You’re one of the few people I know who actually makes a living from his writing. What do you write to pay the bills?
JF: I write mostly arts and culture stories. I write for Spin.com, Sacramento News & Review, Boulder Weekly and some other papers that are scattered throughout our glorious country.

BH: How do you think your nonfiction writing influences your fiction, if at all?
JF: Non-fiction writing has helped me write fiction in a number of ways. It’s really helped me find a voice. My goal when writing for newspapers isn’t to be a solid journalist; my goal is to simply entertain the reader. I get a lot of hate mail. News writing has also helped me find the focus of whatever I’m writing. Nobody wants to read a long, blathering story, except for my grandpa. But he could barely read. And I think he was just pretending to read, trying to escape my grandma. RIP, gramps.

I also write poetry, which helps with everything except for money. Although, I just signed a contract with R.L. Crow press. They are going to publish my first full-length collection of poems, tentatively titled Dancing to Genocide. It should be out in the fall.

BH: What is your writing schedule like?
JF:  I’ve never really had one until I started writing Stickup Kid. I’d kind of just write when I felt like writing, which kind of ended up being all the time. But for the novel I got up every morning at 8, went to the coffee shop and wrote until 2 or 3. It was important that I did that because I have a tendency to stay in my underwear all day and watch YouTube videos of high school kids getting hit in the nuts with various objects.

BH: Voice is one of the aspects of Stickup Kid’s beginning that I admired the most. It’s also a quality all writers are after, and something which confuses many beginning writers. Do you have any tips to share on how to cultivate voice?
JF: I think basically you have to just have a voice. Sometimes I teach a writing class at Sacramento City College and I ask the students if they ever have thoughts that pass through their heads that they’d never tell anyone because they seem weird or sick. They always say “Yes.” Then I tell them to take those thoughts, write them down and then throw away everything else. And then they don’t say anything. Because they’re all asleep. Because I’m really boring. The point is, you just have to be unafraid to grab the core of who you are and put it down on a page. Nobody wants to read the outer part of you that’s been influenced by the outside world. That’s already been done. People need to read the inner you. That’s very new age. I learned that from Yanni.

BH: Your blog title “I Know, I Hate Blogs Too!” just begs me to ask what it is you hate about blogs. So, what do you hate about blogs?
JF: I don’t hate blogs. I just hate bloggers. Ha! I am a blogger, so what does that say? Really, it’s just the journalist in me that hates the idea of people who don’t get paid taking our jobs because they offer their blogging service for free. There’s so much bad journalism now because of this idea that “anyone can be a writer!” It’s the same with self-publishing. Anyone can say, “I’m a published author!” and then be a writer, while the rest of us who are actually trying to write stuff that people will read get left in the dust. Basically, I’m saying “Waaaaah!” But in more words.

BH: Since I started my own website/blog, I discovered roughly 167,738,744 other writer blogs and websites. Are you an island or do you frequent anyone else’s?
JF: Oh I read blogs all the time. I kind of just cruise around to see what other people are doing. I can’t really think of any off the top of my head, though.

BH: Can you compare Bear, the main character in Stickup Kid, to anyone you know in real life?
JF: I based a lot of Bear off my own life. And I took parts of friends from childhood and put them into his character. There are a lot of things that happened to me that also happened to Bear. All the good, heroic things were me. The horrible and twisted stuff was, um, my friends. Yeah.

BH: What does your writing workspace look like?

JF: Pictures! We have a spare bedroom that we made into an office. It’s good to have an office without a TV. I’d never get anything done with the possibility of Judge Judy lurking nearby.

BH: What is your favorite book on the craft of writing?
JF: I really like Robert Pinsky’s The Sounds of Poetry. It allows you look at words in an entirely new perspective. The first time I read the book it made me a little insane. I had no idea words were that delicate.

BH: Last we spoke about it, you were revising Stickup Kid with an agent’s guidance. Where are you in the process? Have you signed a contract with that agent?
JF: I’m editing it right now. When I’m done I’ll hand it over. They want the cleanest copy I can make. After that, if they like it, which hopefully they will, actually, I don’t know what happens after that.

BH: How did you & the agent originally connect?
JF: Luck! I set up my website and one of their interns happened to click on it. He read the part that mentioned I was writing a book and he told me to send the first 20 pages. So I did.

BH: What is the best writing advice anyone has given you?
JF: It was something about a bow. It was like: make your paragraph like a bow, tight enough so that when you pluck it it will resonate with the perfect pitch. Crap, no, that wasn’t it. I get a lot of great writing advice, but then I forget everything. My mind is small.

BH: Do you “tweet”?
JF: Yes. I was totally against it, but then I realized that it was another way to get my stories out there so I’m getting used to twitter.

BH: Why do you want to be published?
JF: That’s a great question. It’s all a blur now. I’ve been mulling the story of Stickup Kid in my mind for so long that I just wanted to get it out. I really like the story and I honestly think that other people will like it. I like to write stuff that I like to read. I kind of want to see if other people like the same stuff that I do.

Here's the feature image without Josh's forehead cut off. I spent at least an hour trying to fix the feature image. Sorry, Josh. Love the bunny.

BH: Any words on advice to other writers for keeping the hope alive?
JF: Writing isn’t a very hopeful profession. I think it’s a great hobby, but there’s a lot of heartache and rejection in the world of writing. I am the kind of person who expects to be rejected, so when I’m not I feel like I’ve tricked someone. It’s great. Not all people are like that, though. A lot of people expect to be published and expect people to gush over their writing. And when they don’t get published they blame everyone else. It can’t be like that. You have to pay a ton of dues, and when you’re done paying dues, you have to stand there while people dangle pink slips in front of your face that say “We’re sorry, Mr. Fernandez, but we regret to inform you that your story isn’t what we were looking for …”.  Man, that was like the least hopeful thing I’ve ever said. Sorry. I’ll just say: Keep the hope alive!

There you have it, folks! Words from very-nearly-famous author Josh Fernandez. When he’s famous he’s promised to get us all book deals with his amazing influence. Not really. I’m promising that for him.

Thanks again, Josh, for the interview!

You can check out Josh’s website by clicking here.

First NiFtY Author Interview: Seven N. Blue

For my very first NiFtY (Not Famous…Yet!) Author Interview, I give you Seven N. Blue. I met Seven through the Sacramento Writer’s Group and we clicked immediately. Not only are we both highly intelligent, creative writer mamas, but we have written our young adult fantasy manuscripts in tandem. Seven has incredibly fascinating ideas as well as the ability to construct convincing and endearing characters. Without further introduction, here…she…is!

BH: Where do you get most of your ideas and inspiration?

SB: From music, music videos, and artwork. Sometimes video games.  I don’t really play them, but there are some gorgeous video games out there (Still Life, Silent Hill) those are two of my favorite aesthetically speaking – I played Silent Hill just to watch the scenery. And music.  I love music of almost any era. I consider music a time machine and a doorway to the imaginary world I spend a lot of time at.

BH: Do you have a set writing schedule, or are you more of a “when the mood hits” kind of girl?

SB: Must have a writing schedule. I have a toddler!

BH: Can you compare Myla, the main character in The Innocents, to anyone you know in real life?

SB: There is a little of me in Myla, but then again, there is a little of me in almost every character I write. I had an interesting teen life. I did things that, well, most teens would not.  Like getting married at 16, for example.

BH: Wow, 16! I never knew that about you. Are you willing to share anything about that?

SB: Yeah, it lasted 11 months! I was divorced  living on my own by the time I was seventeen.

BH: Can you share any details about your current WIP (work in progress)?

SB: Oohhh! That is top secret! At least right now!

BH: (Well, without spilling anything to the audience, I will whisper: I know a little bit about it, and trust me, it’s gonna be great.)

What does your writing workspace look like?

SB: This is funny.  Right now I am sort of “in the hallway” of life.  In “between places”.  My Red Dell Laptop on a very cluttered desk (the desk is not mine, but the laptop is!).

BH: You’ve just finished a young adult (YA) novel, and your WIP is a YA novel. Any plans to write for other age groups?

SB: I don’t know.  It’s hard to say. I feel like I will always be seventeen inside. Maybe I can do early twenties, like in five years…when I emotionally grow up!

BH: What is your favorite YA novel of all time?

SB: I am going to have to say two authors here, because they both blew me away.  Definitely The Hunger Games by Suzanne Collins. That book was amazing.  Not just the story line but how incredible Collins was at juxtaposing the feelings in her characters.  For example, the main character really liked her partner…a lot…he saved her life…but she had to kill him. I also love love love Holly Black and her bad girl protagonists.  Valiant is one of my favorite books ever because of her unforgettable characters like Sketchy Dave and Lollipop and a plot where injecting fairy dust can make mortals perform magic – think of the possibilities for story with that plot!

BH: When did you first realize you wanted to be a writer?

SB: When I was six and my father raved about a short story I wrote.  I won every writing contest in elementary and junior high (I still have the trophies! Well, they’re in storage now while I am in the “hallway” of life).

BH: Are you currently seeking an agent’s representation? What are you looking for in an agent?

SB: I am looking for agent representation.  I just want a good agent who will do what they say, and I hope we both can have a lot of fun, be productive, and achieve our dreams together.

BH: What is the best advice anyone has given you with regards to your writing?

SB: Grow a thick skin, believe in your dreams and keep on writing.  Don’t wait for inspiration, sit your butt in the chair and believe in the process of writing. It will develop, the ideas will come and they will amaze you.

BH: You’ve always struck me as a very positive, upbeat person when it comes to your writing. I think all aspiring novelists can use a bit of the positive in their lives–any tips on how to keep the hope alive, even when the query rejections try to smother it?

SB: This is funny, I am there right now.  I think I have received about thirty rejections so far, along with some great feedback from the ABNA reviewers (The Innocents made it to the top 5% Quarterfinals for 2010) to alleviate the pain.  I also have a partial out right now and I am waiting for feedback.  My advice would be to realize that it is a power greater than yourself who is writing through you, and you must keep going.  You will be tested to see how badly you want it, and you must persevere.  It is all part of the process – growing a thick skin through rejection letters is what prepares us for when we are published and half the folks love us while the other half hates us.  I think rejections are all part of the process of becoming a professional published writer.  We all have to go through it and we should welcome them with open arms because all they is that we are that much closer to our dream agent, and our book deal.

BH: What is your experience like, balancing writing and motherhood?

SB: Wow.  Yeah, not easy.  I have a writing schedule I abide by.  I write no matter what during the allotted time.  When I am supposed to be spending time with my son, then I spend time with him wholeheartedly and not worry about my writing because I know I have a schedule.  A schedule is the only way I can function!

There you have them: wise words from my pal and critique “pardner” Seven. She might not be famous…YET, but with her talent and dedication, it won’t be long. Special thanks to Seven for being my very first interviewee!

On Seven’s website you can read everything from book reviews, to advice on writing, to musings about family and motherhood. And today, as an added bonus, she has interviewed me as well!

The Land of Dull Knives and Duller Wits

A year and five months ago I proudly showed off my new home to a couple of friends. “Wow, this place is great!” they said. When we reached the family room, the tone changed. “OMG you have to get rid of these vertical blinds.”

The family room is a fabulous room. Funky wood floors, an old wood stove, big windows, and three doors to the backyard. Doors covered in…vertical blinds! The blinds were supposed to be white once upon a time, or at the very least cream colored, but now they have a sort of sallow, yellow look. If a paint company needed a name for this precise shade, they might choose “malarial yellow*.” And because the family room has two sliding doors and a french door, there are three sets of vertical blinds. It’s practically all you see when you walk in.

Yeah, I know. Ew.

But we move a little slowly in this house, not only when I’m on the elliptical machine, but also when it comes to getting things done, and while we have finally actually looked at various options for the blinds, we haven’t found anything we like…at least that we can agree on. This slow relaxed pace doesn’t only apply to large-ish jobs like window treatments. We usually start off with, “It would be so much easier to find things in our closet if we had some kind of storage system.” (Piles of shoeboxes and stacks of folded shirts continue to topple out every time we open the door.) Or, “Hmm, maybe we should you know, clean the scum out of the bathtub so our toddler can graduate from her infant tub.” (She’s still in the infant tub.)

Frustrated when trying to carve the turkey last Thanksgiving, Husband’s parents gave us a knife sharpener for Christmas. Five months later, we have sharpened two (2) knives. Even really simple chores, like replacing the sprinkler heads so our lawn doesn’t turn brown, get shuffled to the end of the to-do list in favor of a) reading, b) writing, c) sleeping, or d) just about anything else.

How I wish I could blame it on Z. She was the perfect screaming scapegoat when she was four months old and permanently attached to my chest. I could barely take a shower, much less manage to vacuum or unload the dishwasher. Now that she’s older and can play on her own for up to an hour, I’m fresh out of scapegoats. The truth is, we’re just not the type of people who enjoy productive pursuits.

Sometimes I fantasize about going back to Jane Austen time, when people could dabble in painting, learn languages, and embroider because they had nannies and gardeners and cooks and maids.

Then I remember: not every person had those perks, because somebody had to actually be the nannies, gardeners, cooks, and maids. So while I’m nostalgic for a time I’ve never known, I end up wondering: would I have been Elizabeth Bennet, touring the countryside and popping up at Pemberley, or would I have been Hill, catering to every freaking complaint of Mrs. Bennet?

It’s not a risk I’m willing to take. I’ll manage my own child, garden, sandwiches, and laundry, thanks.

– – – –

*Yes, I realize malaria is not the same as yellow fever. Creative license, dears.

Unnecessarily Redundant Overkill

And…a writing update. Um, about my writing, people. Because one six-hundred-billionth of this is about me. (It’s a bumper sticker.)

First: House Red (a.k.a. the Vampuscript) is done. Finished. Shelved. To Be Forgotten. There are some cool scenes that I may resurrect later, but HR functioned as some solid training wheels and I’m ready to move on.

Second: Savage Autumn has undergone major surgery, to use a metaphor that is quickly becoming a cliche. The first five chapters have been amputated and now I’m in the process of constructing a prosthetic. Some bones and skin grafts of the amputated limb are still part of it, but showing up in funny places. Like a toe sticking out of the knee.

An agent is waiting for the first three chapters, and believe me, I want to send them so bad. But this is one of my dream agents, and I don’t want to mess up my chances by sending something that is less than stellar.

Third, which is not related to my own writing at all (I used up my one-six-hundred-billionth space): And if you’d like a little humor today, a friend of mine pointed out a funny writer who reviews romance novels on her blog. I’ve only read the D+ reviews, since the first one I read had me in stitches. I am not nearly gutsy or, I’ve gotta say it, mean enough to post such scathing reviews on my own blog (except with hmm hmmm hmmm, which just, you know…deserved it).

And I’m off to the library so I can read a book and write my own (much nicer, I hope) review for Monday.